Carlos Nadal (1917-1998)
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Carlos Nadal (1917-1998)

Argenteuil

细节
Carlos Nadal (1917-1998)
Argenteuil
signed 'cNadal' (lower right); signed, dated and inscribed 'ARGENTEUIL 1970 cnadal' and with the atelier stamp (on the reverse)
oil on canvas
25 5/8 x 31 7/8 in. (65 x 81 cm.)
Painted in 1970
来源
The artist's estate.
Acquired from the above by the present owner.
出版
J. Duncalfe, Carlos Nadal: An English Perspective, Harrogate, 2010, p. 269 (illustrated).
展览
Harrogate, Duncalfe Galleries, Carlos Nadal, Fine Expressionist Painter, July - August 1984.
Leeds, The Stanley & Audrey Burton Gallery, University of Leeds, Carlos Nadal, Paintings in Yorkshire Collections, June - August 2011, no. 32.
注意事项
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

荣誉呈献

Michelle McMullan, Specialist, Head of Day Sale
Michelle McMullan, Specialist, Head of Day Sale

拍品专文

The authenticity of this painting has been confirmed by the Comité Nadal.

Since his early days in Paris, the French born Spanish artist, Carlos Nadal, was influenced by Dufy, Utrillo, Marquet and Braque; his peers from the time of his father's decorative atelier in the rue des Ecoles.
After studying in Barcelona at the St George school of fine art, Nadal moved to Paris with a small grant from the Barcelona Ministry of Culture, where he studied in the atelier of Ossip Zadkine in the 'Grande Chaumier'. In Paris he made several lifelong friendships with artists and thinkers such as Antoni Clavé, Oscar Dominguez, André Lansosky, Jean Paul Satre and the Catalan, I Mundó.
Life as an artist in Paris after the civil and world wars was hard for Nadal. But God seemed to help the dedicated, and even though he lurched from hunger to happiness, he was driven by inspiration and 'joie de vivre'.
Nadal travelled widely on painting trips, often with friends. It was on one such trip in 1948 that he met Matisse, who would later introduce him to Picasso in Vallauris. This passion for travel was by no means confined to his youthful years. After his marriage to Flore Joris, the Belgian sculptor he met whilst in Paris, Nadal travelled worldwide including Russia, America and Africa.
He has been called one of the 20th century's lost painters, with direct links to the original Fauves. The power and light of his works lighten the heart. As Nadal said, 'look up and around, not down at the pavement - enjoy life.' Within Nadal's paintings you will see revelry, possibly childish revelry, even folly and sometimes madness! Even so, his work is never without a touch of magic.
- John Duncalfe

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