AFTER SIMON-LOUIS BOIZOT (FRENCH, 1743-1809)
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AFTER SIMON-LOUIS BOIZOT (FRENCH, 1743-1809)

Pluton et Proserpine and Borée et Orythie

细节
AFTER SIMON-LOUIS BOIZOT (FRENCH, 1743-1809)
Pluton et Proserpine and Borée et Orythie
Each on an ormolu base, unsigned
bronze, patinated
Pluto and Proserpine: 21 ¼ in. (54 cm.) high
Boreas and Oreithyia: 23 ¼ in. (59 cm.) high
(2)Conceived circa 1786.
These bronzes circa 1870-1900.
注意事项
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

拍品专文

These bronze groups are later copies of models originally conceived by Simon-Louis Boizot (1743–1809) for reproduction in biscuit de Sèvres, which the sculptor exhibited in the Salon of 1786. Boizot drew his inspiration for these works from the earlier models of Pluto and Prosperine and Boreas and Oreithyia by François Girardon (1628-1715) and Gaspard Marsy (1624-1681), respectively, and designed by Le Brun to be erected in the garden at Versailles as decoration for the Parterre d'Eau.
From the late 18th century throughout the nineteenth century, many bronze casts after the two Boizot groups were collected as indicators of status and wealth and placed on display for all to see in salons and drawing rooms. Two such bronzes dated from the second-quarter 19th century are in the prestigious Wallace Collection, London (inv. S196 & S197).

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