ALBRECHT ALTDORFER (CIRCA 1480-1538)
ALBRECHT ALTDORFER (CIRCA 1480-1538)
ALBRECHT ALTDORFER (CIRCA 1480-1538)
23 更多
ALBRECHT ALTDORFER (CIRCA 1480-1538)
26 更多
PROPERTY FROM A PRIVATE EUROPEAN COLLECTION
ALBRECHT ALTDORFER (CIRCA 1480-1538)

The Fall and Redemption of Man

细节
ALBRECHT ALTDORFER (CIRCA 1480-1538)
The Fall and Redemption of Man
the complete set of forty woodcuts, circa 1513, on laid paper, most without watermark, one with a partial Bull's Head watermark, a few with watermark fragments, an original, uniform set of very good to fine impressions, with margins, in very good condition
Blocks 73 x 48 mm. (and similar)
Sheets 85 x 58 mm. (and similar)
(40)40
出版
Bartsch 1-40; Winzinger 25-64; New Hollstein w1-40
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A COLLECTION OF PRINTS BY THE ‘LITTLE MASTERS’ (LOTS 53-81)

The present collection offers a fine selection of engravings and some woodcuts by the so-called 'Little Masters' and related artists of the generation after Albrecht Dürer, including fine and rare impressions, many with important, historic provenances, and some complete series.

The term 'Little Masters' ('Kleinmeister') refers to a small circle of printmakers of the first half of the 16th century who became particularly known for their prints of diminutive scale: the brothers Barthel and Hans Sebald Beham and their friend Georg Pencz from Nuremberg, Albrecht Altdorfer from Regensburg, the Westphalian Heinrich Aldegrever, and Jacob Binck from Cologne. Although not all of their printed works are small, many are barely larger than a postage stamp. The miniature scale of their plates and blocks allowed them to create images of a jewel-like beauty and intricacy, depicting traditional Christian subjects as well as a wide range of secular, classical and mythological subjects and ornamental compositions. In the case of the Beham Brothers, the intimate character of these tiny prints also gave them the liberty to make and distribute rather bawdy images, many with overtly sexual overtones, such as Hans Sebald Beham’s The Fool and the Foolish Woman (lot 74). Given the subversive nature of many of their prints, it is not surprising that the Behams and Georg Pencz, who were associated with a radical reformation movement, in 1525 were accused of heresy and blasphemy, and temporarily banned from their native city of Nuremberg.

The artistic origins of the 'Little Masters' prints seem to lie with the niello-technique, as practiced in Italy in the late 15th century, whereby black sulphur was added to the incised lines of engraved silver objects in order to create a tonal image. The similarities are most evident in the engravings of Albrecht Altdorfer, such as the exquisite Saint George killing the Dragon (lot 56).

荣誉呈献

Tim Schmelcher
Tim Schmelcher International Specialist

拍品专文

Albrecht Altdorfer's series of forty small woodcuts is one of greatest achievements in the history of woodcut printing. Conceived as a small book for private contemplation and devotion, it was published without text and presumably intended for a poorer, perhaps illiterate, audience. To tell the story of the Fall of Man and the Passion of Christ in pocket size, Altdorfer condensed each scene to it's essentials, thereby achieving a remarkable monumentality, despite the diminutive scale of the images, while at the same time lovingly describing tiny details. Although it may have been created for humble people, there is nothing crude or cursory about these images. Instead, these prints are of an elegance rarely achieved by another artist in the medium. While Altdorfer's designs are certainly admirable, it is also worth remembering the virtuosity required of the anonymous woodcutter to carve these tiny blocks with such clarity and regularity in the finest details and densest hatchings, which lend the series such dramatic effects of light and shade.

The exquisite quality of these woodcuts can really only be appreciated in early impressions, such as the ones in the present set.

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