Max Ernst (1891-1976)
Artist's Resale Right ("Droit de Suite"). Artist's… 显示更多 PROPERTY FROM AN ENGLISH COLLECTION
Max Ernst (1891-1976)

Rêve d'une petite fille qui voulut entrer au Carmel: '...où nous avions dressé un petit purgatoire...'

细节
Max Ernst (1891-1976)
Rêve d'une petite fille qui voulut entrer au Carmel: '...où nous avions dressé un petit purgatoire...'
signed 'max ernst' (lower right)
paper collage on printed paper laid down on the artist's mount
sheet: 6 x 4 3/4 in. (15.2 x 12 cm.)
mount: 6 3/4 x 5 3/8 in. (17 x 13.7 cm.)
Executed in 1929-1930
来源
Julien Levy, Bridgewater, Connecticut.
Mrs Raymond J. Braun, New York, by 1979.
Acquired by the present owner circa 2008.
出版
H. Janis & R. Blesh, Collage: Personnalities, Concepts, Techniques, Philadelphia, New York & London, 1967, no. 114, p. 101 (illustrated).
M. Ernst, Écritures, avec cent vingt illustrations extraites de l'œuvre de l'artiste, Paris, 1970, p. 207 (illustrated).
W. Spies, Max Ernst Collagen: Inventar und Widerspruch, Cologne, 1974, no. 316 (illustrated).
E. Quinn, Textes de Max Ernst, Paris, 1976, no. 194.7, p. 169 (illustrated).
W. Spies, S. & G. Metken, Max Ernst, vol. IV, Werke 1929-1938, Cologne, 1979, no. 1633, p. 36 (illustrated).
J. Pech, Studien zur religiösen Ikonographie im Werk von Max Ernst bis 1934: Der Collagenroman 'Rêve d'une petite fille qui voulut entrer au Carmel' (1930), Bonn, 1996, no. 152, [p. 326].
Exh. cat., Sprengel macht Ernst: Die Sammlung Max Ernst, Sprengel Museum, Hannover, June 18th - September 17th 2006, no. 305, p. 146.
展览
Paris, Galerie André François Petit, Max Ernst & Yves Tanguy: Œuvres anciennes, December 1961 (illustrated).
注意事项
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

拍品专文

'...où nous avions dressé un petit purgatoire...' is one of eighty collages executed by Max Ernst in 1930 for Rêve d'une petite fille qui voulut entrer au Carmel, one of his books consisting of collaged illustrations and their captions known as 'collage novels' . This form of collage technique was one Ernst began experimenting with in 1919; it involved cutting and pasting from reproductions of nineteenth-century engravings to create a dream-like subversion of traditional illustration. He first published his collages in this style to accompany Paul Eluard's 1922 Repetitions, yet it was not until 1929 that he published the first of the three full 'collage novels', La femme 100 têtes. Rêve d'une petite fille qui voulut entrer au Carmel was the second of these novels, completed between 1929 and 1930, and published by Editions du Carrefour, Paris.

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