R72-35

细节

Jan Schoonhoven (1914-1994)
R72-35
signed twice, titled and dated twice 'J. J. Schoonhoven 1972 "R72-35" Jan J. Schoonhoven 1972' (on the reverse)
acrylic on papier-maché relief on board
16 7/8 x 16 7/8in. (43 x 43cm.)
Executed in 1972

来源

Galerie M, Bochum.
Annemarie Verna Galerie, Zurich.
Private Collection, Europe.
Galerie Nordenhake AB, Stockholm.
David Zwirner, New York.
Acquired from the above by the present owner.

展览

Zurich, Annemarie Verna Galerie, Jan Schoonhoven, 1972.

注意事项

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. On occasion, Christie’s has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie’s holds such financial interest we identify such lots with the symbol º next to the lot number.

拍场告示

Please note that this lot which was not marked with a diamond symbol in the printed catalogue is now subject to a minimum price guarantee and have been financed by a third party who is bidding on the lot and may receive a financing fee from Christie’s.

荣誉呈献

Zoë Klemme

zklemme@christies.com +44 (0)20 7389 2249

拍品专文

Created in 1972, the year of the artist’s traveling retrospective, the powerful geometry of R72-35 exemplifies Jan Schoonhoven’s commitment to an egalitarian order. Responding to the devastation wrought by the second world war, Schoonhoven committed himself to a structured order, evident in the strict lines of R72-35; in the title sequence, the ‘R’ stands for relief, while the subsequent digits mark the year and the series’ number. In the gridded papier-mâché relief, colour and form exist in equilibrium, Schoonhoven was affiliated with the influential ZERO group, where he worked closely with Heinz Mack, Günter Uecker and Otto Piene, among others. In the spirit of ZERO, Schoonhoven endeavoured to produce a new visual dynamism which can be seen in the fluctuating play shadows that flicker across the lit recesses of R72-35: ‘Within the strict limitations which he has placed upon himself, Schoonhoven has grown to be a formidable master. His oeuvre echoes various movements in contemporary art - abstract expressionism, minimal art, fundamental art, "neo-expressionism" - without ever losing any of its own identity’ (J. Wesseling, Schoonhoven. Visual artist, The Hague 1990, p. 8.).

R72-35

荣誉呈献

拍品专文

更多来自 战后及当代艺术 （日间拍卖）

更多来自战后及当代艺术（日间拍卖）