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拍品专文
Ces vases asymétriques sont à rapprocher d’une gravure représentant la place Stanislas. La place Royale de Nancy et ses annexes ont été de tout temps considéré comme un chef d’œuvre de l’architecture urbaine dont la conception et la réalisation sont dues au génie d’Emmanuel Héré, architecte de la cour de Stanislas Leszczynski, ancien roi de Pologne et beau-père de Louis XV, qui fut fait duc de Lorraine dans les années 1730. Héré a été assisté par les plus grands sculpteurs de l'époque, tels que : Barthélemy Guibal, Dieudonné Pierre, Louis Lenoir, Joseph Belcamp et Louis Menuet.
These asymmetrical vases relate to an engraving representing Stanislas Square. Since their conception, the Place Royale de Nancy and its annexes have been regarded as a masterpiece in 18th century urban architecture. Its design and realization was carried out by Emmanuel Héré, court architect to Stanislas Leszczynski, the former king of Poland and father-in-law to Louis XV, who was made duke of Lorraine in the 1730s. Héré was assisted by the foremost sculptors of the day, such as Barthélemy Guibal, Dieudonné Pierre, Louis Lenoir, Joseph Belcamp and Louis Menuet.
These asymmetrical vases relate to an engraving representing Stanislas Square. Since their conception, the Place Royale de Nancy and its annexes have been regarded as a masterpiece in 18th century urban architecture. Its design and realization was carried out by Emmanuel Héré, court architect to Stanislas Leszczynski, the former king of Poland and father-in-law to Louis XV, who was made duke of Lorraine in the 1730s. Héré was assisted by the foremost sculptors of the day, such as Barthélemy Guibal, Dieudonné Pierre, Louis Lenoir, Joseph Belcamp and Louis Menuet.