《嘉年华与大斋节》

细节

塞西丽・布朗 (1969 年生)
《嘉年华与大斋节》
油彩麻布
97 x 103 in. (246.4 x 261.6 cm.)
2006-2008年作

来源

纽约高古轩画廊
现藏者得自上述画廊

出版

2008年《Cecily Brown》R. Dergan编辑纽约美国 (彩色图版，第240-243页)

展览

2008年9月-10月「Cecily Brown」高古轩画廊纽约美国

注意事项

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. On occasion, Christie’s has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie’s holds such financial interest we identify such lots with the symbol º next to the lot number.

拍场告示

Please note that this lot which was not marked with a diamond symbol in the printed catalogue is now subject to
a minimum price guarantee and has been financed by a third party. Please see the conditions of sale for further
information.

业务规定

荣誉呈献

Tessa Lord

tlord@christies.com +44 (0) 207 389 2683

拍品专文

《嘉年华与大斋节》是色彩与律动的浩瀚烟火，代表了塞西丽・布朗无与伦比的油彩掌控能力。受到老彼得．布勒哲尔(Pieter Brueghel)1559年的杰作《嘉年华与大斋节之间的争斗》的启发，其2.5米长的画布创造了一个无所不包的色彩世界，暗示着人物与形体被如大里石般模糊的颜料漩涡所缠结；头、四肢与身体的片段通过一连串的分散和搅动，从一个瞬间到另个一瞬间的过度都融化并凝聚了起来。作品温暖的赤陶色、如内脏的暗红色以及淡淡的薰衣草和蓝绿色调呼应了布勒哲尔的调色板，将他鸟瞰人群的景象转化为身临其境的抽象能量。布勒哲尔在一场闹剧中描绘了嘉年华国王和大斋节(分别代表醉酒的欲望与精神纪律)的象征，将他的构图在旅馆的主顾和位于荷兰城镇广场两侧的教堂之间进行了划分。他的作品充满朴实幽默、俏皮细节和错综复杂的象征意义。粗俗诙谐与修道院的拘谨之间的冲突使其成为布朗实践创作的合适对象，这样的创作从抽象与形象化之间的张力中汲取了生动的生命力。

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