Wayne Thiebaud (b. 1920)
Wayne Thiebaud (b. 1920)
2 更多
On occasion, Christie's has a direct financial int… 显示更多
韦恩·第伯 (1920 年生)

《四个弹球机》

细节
韦恩·第伯 (1920 年生)
《四个弹球机》
款识:Thiebaud 1962 (右下)
油彩 画布
68 x 72 in. (172.7 x 182.8 cm.)
1962年作
来源
紐約 Allan Stone畫廊
佳士得 紐約 1981年5月13日 編號54
加州 新港海灘 唐納德·布倫
現藏者于1982年得自上述
出版
2007年《Delicious: The Life & Art of Wayne Thiebaud》S. G. Rubin着 旧金山 美国 (彩色图版, 第50-51页)
2018年《Wayne Thiebaud: 1958-1968》展览图录 加州大学戴维斯分校 Jan Shrem and Maria Manetti Shrem艺术博物馆 戴维斯 美国 (彩色图版, 第119页, 第45件)
展览
1962年4月-5月「Wayne Thiebau」Allan Stone画廊 纽约 美国
1964年5月「Sixty-Seventh Annual Exhibition by Artists of Chicago and Vicinity」芝加哥艺术博物馆 芝加哥 美国
1965年4月-5月「Pop Art and the American Tradition」密尔沃基美术博物馆 密尔沃基 美国
1967年7月-9月「Popular Images and Sensibility」克利夫兰艺术博物馆 克利夫兰 美国
1976年9月-1977年5月「Wayne Thiebaud: Survey 1947-1976」菲尼克斯艺术博物馆菲尼克斯; 奥克兰博物馆奥克兰; 南加州大学艺术画廊Des Moines Art Center 洛杉矶美国(图版, 第64和92页, 第26号)
1985年9月-1986年3月「Wayne Thiebaud」旧金山现代艺术博物馆 旧金山; 纽波特港艺术博物馆 纽波特 美国 (彩色图版, 第61和173页, 第5件, 第6号)
2000年6月-2001年9月「Wayne Thiebaud: A Paintings Retrospective」荣勋宫博物馆, 旧金山现代艺术博物馆 旧金山; 惠特尼美国艺术博物馆 纽约 美国 (图版, 第86-87页, 第17件)
注意事项
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. The third party will be remunerated in exchange for accepting this risk based on a fixed fee if the third party is the successful bidder or on the final hammer price in the event that the third party is not the successful bidder. The third party may also bid for the lot above the written bid. Where it does so, and is the successful bidder, the fixed fee for taking on the guarantee risk may be netted against the final purchase price.

Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot.

荣誉呈献

Ana Maria Celis
Ana Maria Celis

拍品专文

《四个弹球机》作于上世纪六十年代早期,是韦恩·第伯这壹艺术生涯关键时期中尺幅最大的作品之一,并使其成为同辈艺术家中最具创新的一位。第伯在其职业生涯中一直力求被认可为职业画家。由于缺乏专业训练,第伯最初成为商业艺术家并曾就职于华特迪士尼影业集团。最终,他凭借与众不同的具象写实主义风格,在波普艺术中脱颖而出。他与同期在东岸发展的安迪·沃荷(Andy Warhol)和罗伊·李奇登斯坦(Roy Lichtenstein)一样,在日常物品中寻求启发,但与这些纽约同僚们相异的是,第伯将主题赋予了极具触感的肌理与敏锐的色彩。正如他挑战笔触的极限以呈现主题形态一般,第伯也力求突破边界以传达色彩、空间、与光。在此作中,一排弹球机在电光色的笔刷下彰显出复杂而多彩的细节。第伯能从看似平常的物品中挖掘丰富的含义以及尚未被发现的视觉魅力,他曾谈到: “「我作品的主题」是我生活的真实写照,特别是这恩典般的美国生活。这应该是我最真诚以待的事。 ” (韦恩·第伯,摘录自史蒂芬·A·纳什《op. cit》,第18页)

更多来自 ONE: 现当代全球联合夜拍

查看全部
查看全部