GEORGE CONDO (B. 1957), PAUL MCCARTHY (B. 1945), JAKE & DINOS CHAPMAN (B. 1966 & 1962)
Artist's Resale Right ("Droit de Suite"). Artist's… 显示更多
GEORGE CONDO (B. 1957), PAUL MCCARTHY (B. 1945), JAKE & DINOS CHAPMAN (B. 1966 & 1962)

What Do You Think of Death

细节
GEORGE CONDO (B. 1957), PAUL MCCARTHY (B. 1945), JAKE & DINOS CHAPMAN (B. 1966 & 1962)
What Do You Think of Death
signed and dated ‘Condo 06 Paul McCarthy 06 Dinos Chapman Jake Chapman’ (on a piece of canvas affixed to the reverse)
oil and spray enamel on canvas
66 1/8 x 46 5/8in. (168.1 x 118.4cm.)
Executed in 2006
来源
Deitch Projects, New York.
Private Collection, Switzerland (acquired from the above in 2007).
Thence by descent to the present owners.
展览
New York, Deitch Projects, Meet the Artists, 2007.
注意事项
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

荣誉呈献

Hannah Boissier Image
Hannah Boissier Account Manager, Associate Director

拍品专文

Created in 2006, What Do You Think of Death is one of eight paintings created as part of an extraordinary collaboration between George Condo, Paul McCarthy and Jake and Dinos Chapman. The canvases were rotated between each of their studios and worked on sequentially for a month at a time, with the artists taking it in turns to go first, second, third and fourth. The method seemed to pay homage to the ‘cadavre exquis’ or ‘exquisite corpse’ game popular among Surrealist circles, in which players took it in turns to embellish a drawing or piece of writing. The works span the full gamut of the artists’ practices: from Condo’s distinctive caricatures – prominently visible here – to McCarthy’s Pop-inflected cultural critiques and the subversive YBA spirit of the Chapman brothers. The works were unveiled at Deitch Projects in New York, under the title Meet the Artists – a play on the Beatles’ 1963 album Meet the Beatles. The exhibition’s catalogue cover was a direct parody of the record’s artwork, featuring a photograph of the artists staged in the same manner as the band, under a subheading heralding the ‘Phenomenal Pop Combo’ of ‘Jake, Paul, George and Dinos’.

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