ELAINE DE KOONING (1919-1989)
ELAINE DE KOONING (1919-1989)
ELAINE DE KOONING (1919-1989)
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Property of an Important Private Collector
ELAINE DE KOONING (1918-1989)

Echo Wall (Cave #68)

细节
ELAINE DE KOONING (1918-1989)
Echo Wall (Cave #68)
signed with the artist's initials 'E de K' (lower right)
acrylic on canvas
84 x 66 in. (213.4 x 167.6 cm.)
Painted in 1986/1988.
来源
Fischbach Gallery, New York
Cline Fine Art Gallery, Santa Fe
Acquired from the above by the present owner, 1995
展览
Miami, Guggenheim Gallery, Elaine de Kooning Cave Walls, December 1986-January 1987 (exhibited as Calcium Wall).
Los Angeles, Wenger Gallery, Elaine de Kooning Cave Walls, March-April 1987 (exhibited as Calcium Wall).
East Hampton, Vered Art Gallery, Elaine de Kooning Horns and Hooves, September 1987 (exhibited as Calcium Wall).
New York, Fischbach Gallery, Elaine de Kooning: Recent Paintings, November 1988, no. 28.
Santa Fe, Cline Fine Art Gallery, Elaine de Kooning: Paintings and Drawings, August-November 1995, no. 31.

荣誉呈献

Isabella Lauria
Isabella Lauria Vice President, Senior Specialist, Head of 21st Century Evening Sale

拍品专文

A dazzling polyphony of color and space where horses, bison, and elk roam in horizonless profiles, Echo Wall (Cave #68) (1986/1988) reveals Elaine de Kooning’s genius for sustaining depiction, evocation and abstraction simultaneously. Exhibited three times in 1987 as the second panel of a diptych (Calcium Wall, 1986), the present work was returned to the artist’s studio after its national tour and set free from a dichotomous past. Its creatures range distant and near, fissured, striated and creviced, as though transfused by scars of time, underscoring the artist’s skill in multi-spatial juxtaposition. And, like her paleolithic predecessors, Elaine de Kooning brought her own light into the caves: rejecting torchlight and underground darkness, Echo Wall echoes poetic light—sunless yet radiant, crystalline, opalescent, diaphanous, refractive—with the immediacy of a lightning bolt.

—Edvard Lieber, 2021

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