Untitled #76

细节

CINDY SHERMAN (B. 1954)
Untitled #76
signed 'Cindy Sherman' (on the reverse)
chromogenic print
image: 15 5/8 x 23 3/8 in. (39.7 x 59.4 cm.)
sheet: 16 x 23 ¾ in. (40.6 x 60.3 cm.)
Executed in 1980. This work is number four from an edition of five plus one artist's proof.

来源

Metro Pictures, New York
Acquired from the above by the present owner, 1981

出版

Cindy Sherman, exh. cat., Amsterdam, 1982, no. 48.
R. Krauss, Cindy Sherman: 1975-1993, New York, 1993, pp. 82-83 and 227 (another example illustrated).

展览

Saint-Etienne, Musée d'Art et d'Industrie, Cindy Sherman, December 1983-January 1984, p. 4 (illustrated).
New York, Whitney Museum of American Art, Cindy Sherman, July-October 1987, p. 18, pl. 48 (another example illustrated and exhibited).
Los Angeles, The Museum of Contemporary Art; Chicago, Museum of Contemporary Art; Prague, Galerie Rudolfinum; London, Barbican Art Gallery; CAPC musée d'art contemporain de Bordeaux; Sydney, Museum of Contemporary Art and Toronto, Art Gallery of Ontario, Cindy Sherman: Retrospective, November 1997-January 2000, pp. 5, 40-41, 98-99 and 197, fig. 8, pl. 72 (another example illustrated and exhibited).
Paris, Jeu de Paume; Kunsthaus Bregenz; Humlebaek, Louisiana Museum of Modern Art and Berlin, Martin-Gropius-Bau, Cindy Sherman, May 2006-September 2007, pp. 68, 247 and 316 (another example illustrated and exhibited).

业务规定

荣誉呈献

Isabella Lauria Vice President, Senior Specialist, Head of 21st Century Evening Sale

ILauria@christies.com +1 347 803 0224

拍品专文

“If the black-and-white Untitled Film Stills contain the nostalgia of an old movie, the Rear Screen Projections exude the artifice of a television show. ...Sherman is still role-playing, but these characters are decidedly more up-to-date in their demeanor. Rather than victims or femme fatales, the women in the Rear Screen Projections appear more confident and independent.”
—A. Cruz, “Movies, Monstrosities, and Masks: Twenty Years of Cindy Sherman,” in Cindy Sherman: Retrospective, exh. cat., Chicago and Los Angeles, 1997, p. 5.

Untitled #76

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拍品专文

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