Sir Alfred James Munnings, P.R.A., R.W.S. (British, 1878-1959)
Property from the Collection of Mrs. Elizabeth R. Moran
SIR ALFRED JAMES MUNNINGS, P.R.A., R.W.S. (British, 1878-1959)

A Park Meeting, The Eclipse Stakes, Sandown Park

细节
SIR ALFRED JAMES MUNNINGS, P.R.A., R.W.S. (British, 1878-1959)
A Park Meeting, The Eclipse Stakes, Sandown Park
signed 'A. J. Munnings' (lower left)
oil on panel
20 x 26 in. (50.8 x 66 cm.)
来源
Hutchinson & Co. (Publishers) Ltd.
Their sale; Christie's, London, 20 July 1951, lot 53, as A Summer Meeting: Eclipse Stakes, Sandown Park.
McNicoll (probably Ian MacNicol Galleries, Glasgow), acquired at the above sale.
with Scott & Fowles, New York, by November 1951.
George Dunton Widener (1889-1971), Philadelphia, by 1954.
Private collection, Florida.
Their sale; Christie's, New York, 7 June 1985, lot 161.
with Richard Green, London.
出版
Sir A. J. Munnings, The Finish, London, 1952, illustrated after p. 216, as The Paddock at Sandown before the Eclipse.
C. Berry, The Racehorse in Twentieth Century Art, London, 1989, after p. 32, illustrated.
展览
New York, Scott & Fowles, Paintings by Sir Alfred J. Munnings, 12 November-1 December 1951, as Eclipse Stakes, Sandown Park.
Palm Beach, Society of the Four Arts, An Exhibition of Paintings and Sculpture, 11 December 1953-3 January 1954, no. 1099, as A Park Meeting.
Coral Gables, Lowe Galley, Racing, 14 January-7 February 1954, no. 32.
(possibly) London, Bond Street Galleries, Exhibition of Landscapes, Horse Studies, and Drawings by Sir Alfred J. Munnings, 1956, no, 108, as Sandown Park.
Saratoga Springs, NY, National Museum of Racing and Hall of Fame, The Mastery of Munnings, 8 July-4 September 2000, pp. 56-57, unnumbered, as Eclipse Stakes, Sandown Park.
Middleburg, VA, National Sporting Library and Museum, Munnings: Out in the Open: The Open-Air Works of Sir Alfred James Munnings, 24 April-15 September 2013, pp. 75, 98-99, 129, pl. 57, illustrated.

荣誉呈献

Laura H. Mathis
Laura H. Mathis VP, Specialist, Head of Sale

拍品专文

While the majority of Munnings’s Starts depict the broad, open heathland of the course at Newmarket, he made smaller groups of parade and start pictures at other courses, in each case realizing the importance of finding the identifying features that established the character of each track. Here the subject is the saddling paddock at Sandown Park, Surrey, with the magnificent beech trees set behind. Sandown is a dual race course running both flat and National Hunt (jumps) races depending on the season. Every July it holds the prestigious Eclipse Stakes, a difficult, right-handed race for three and four year olds, run over one mile and two furlongs with an uphill finish. Inaugurated in 1886 it was then the richest race in England with a prize fund of £10,000 donated by Leopold de Rothschild, although presently the prize money is £750,000.
Munnings recalled a similar scene at Sandown in his memoirs, ‘In the paddock, saddling for first race… Grouping in three dimensions all very beautiful. Thought how well they looked going out by the big beeches. Spots of charming color.’ (The Finish, 1952, p. 47). It is a sight familiar to all race goers, and in A Park Meeting, Eclipse Stakes, Sandown Park Munnings encapsulates the sense of anticipation in the air. The sunlight gleams on the horses’ flanks and the brightly colored silks of the jockeys, as owners and trainers impart last minute tips and spectators crowd in the distance to decide between the runners and riders.
We are grateful to Lorian Peralta-Ramos, Tristram Lewis and the Curatorial staff at The Munnings Museum for their assistance in preparing this catalogue entry.

更多来自 欧洲艺术(第一部分)

查看全部
查看全部