EDUARDO CHILLIDA (1924-2002)
EDUARDO CHILLIDA (1924-2002)
EDUARDO CHILLIDA (1924-2002)
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EDUARDO CHILLIDA (1924-2002)
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Artist's Resale Right ("Droit de Suite"). Artist's… 显示更多
EDUARDO CHILLIDA (1924-2002)

Lurra (Earth)

细节
EDUARDO CHILLIDA (1924-2002)
Lurra (Earth)
incised with the artist's monogram (upper edge)
Chamotte clay
8 1⁄4 x 5 1⁄2 x 5 1⁄2in. (21 x 14 x 14cm.)
Executed in 1984
来源
The Artist.
Tasende Gallery, La Jolla.
Acquired from the above by the present owner.
出版
I. Chillida and A. Cobo (eds.), Eduardo Chillida. Catálogo Razonado de Escultura III, San Sebastian 2019, no. 1984052 (illustrated in colour, p. 124).
展览
Chicago, Navy Pier, Chicago International Art Exposition, 1985.
注意事项
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
更多详情
This work is registered in the archives of the Museo Chillida-Leku under no. 1.984.052.

荣誉呈献

Anna Touzin
Anna Touzin Specialist, Head of Day Sale

拍品专文

As if forged in centre of the earth, Eduardo Chillida’s Lurra (Earth) (1985) evokes an ancient time. Into the burnt, blazing red clay, the artist has incised otherworldly geometries, whose tidy outlines resist the emotive surface. Even at their most abstract and geometric, Chillida’s forms are imbued with a profound sense of the natural world. The ruddy and scorched variations of the fired clay are suggestive of the land around San Sebastian, the city where the artist was born. This feeling is also echoed in the work’s title, which is comes from the Basque word meaning ‘earth’. Lurra forms part of a larger series that celebrates the mutable nature of material: the kiln’s heat transforms the terracotta into unique works, each displaying subtle and mesmeric variations in colour and tone.

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