WILLIAM HART (1823-1894)
WILLIAM HART (1823-1894)
WILLIAM HART (1823-1894)
WILLIAM HART (1823-1894)
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WILLIAM HART (1823-1894)

A Spring Day on the Hudson

细节
WILLIAM HART (1823-1894)
A Spring Day on the Hudson
signed indistinctly 'Wm Hart.' (lower right)
oil on canvas
12 1/4 x 18 1/4 in. (31.1 x 46.4 cm.)
来源
Spanierman Galleries, New York, 1969.
Maude B. Feld and Samuel B. Feld, Esq., acquired from the above.
Estate of the above.
Sotheby's, New York, 28 November 2001, lot 28, sold by the above.
Acquired by the present owner from the above.
出版
"Brooklyn Academy of Design; The Field and the Easel: Lecture by William M. Hart," Brooklyn Daily Eagle, April 1, 1867, p. 2.
Catalogue of a Large Collection of Superb Oil Paintings, New York, May 5, 1857, no. 55.
M.E.W. Hearn, "Picnicking in the Northeastern United States, 1840-1900," Winterthur Portfolio, vol. 24, no. 2/3, 1989, pp. 139-52.
A.L. Miller, "Nature's Transformations: The Meaning of the Picnic Theme in Nineteenth Century American Art," Winterthur Portfolio, vol. 24, no. 2/3, pp. 113-38.
G.L. Stiles, William Hart: Catalogue Raisonné and Artistic Biography, New York, 2020, pp. 116-17, no. 211, illustrated.

荣誉呈献

Tylee Abbott
Tylee Abbott Vice President, Head of American Art

拍品专文

Gary L. Stiles, author of the William Hart catalogue raisonné writes of the present work, "The painting is an early Hudson River landscape that demonstrates many of Hart's favorite motifs. The foreground is set with a wide variety of flowers and plants dispersed among small rocks and large boulders covered with lichens and moss and textured with light and dark shadowing with dispersed sunlight. Hart provides an inviting area for the viewer to stand and enter the scene and become part of the picnic. There are a number of participating figures in the foreground and middle distance... They are out for an afternoon of picnicking and boating. Picnicking had become quite fashionable in the mid-1800s and was an important social event" (William Hart: Catalogue Raisonné and Artistic Biography, New York, 2020, p. 117).

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