JEAN JACQUES FLIPART (1719-1782) AFTER CHARLES-NICOLAS COCHIN LE JEUNE (1715-1790)
PROPERTY FROM A PRIVATE NORWEGIAN COLLECTION
JEAN JACQUES FLIPART (1719-1782) AFTER CHARLES-NICOLAS COCHIN LE JEUNE (1715-1790)

Concours pour le Prix de l’Etude des Têtes et de l’Expression

细节
JEAN JACQUES FLIPART (1719-1782) AFTER CHARLES-NICOLAS COCHIN LE JEUNE (1715-1790)
Concours pour le Prix de l’Etude des Têtes et de l’Expression
etching and engraving, 1763, on laid paper, watermark T DUPUY FIN / AUVERGNE 1742 (similar to Haewood 3306), a fine impression of the second, final state, with small margins, in very good condition
Plate 233 x 282 mm.
Sheet 243 x 300 mm.
来源
Lucien Hector Monod (1867-1957), Paris (Lugt 5950).
Galerie Michel, Paris.
Acquired from the above in 1996; then by descent to the present owner.
出版
Le Blanc 93; Portalis & Beraldi 21; IFF 126;
Elisabeth Launay, Les frères Goncourt collectionneurs de dessins, Paris, 1985, No. 60, p. 265-6.
Victor I. Carlson, John W. Ittmann, Regency to Empire - French Printmaking 1715-1814, exh. cat., Baltimore Museum of Art & Minneapolis Museum of Arts, 1985, no. 44, p. 146.

荣誉呈献

Stefano Franceschi
Stefano Franceschi Specialist

拍品专文

Edmond de Goncourt saw in the model a portrait of the famous actress Mlle Clairon (1723-1803), an assumption we find repeated in Portalis & Beraldi’s description of the print. This has been rejected since. However, the discovery of an early proof before letters from the Goncourt Collection (and from the same collection as the present impression), sold at Christie's, London (14 December 2017, lot 23; £11,875) makes it quite plausible that Edmond de Goncourt had privileged insight and may well have been correct in his identification of the sitter. While this remains subject of speculation, the three men seated on the right, overseeing the competition, have been firmly identified as the academy members Claude Vassé, Jean Restout and the Comte de Caylus, who had founded the competition.
The drawing of the subject by Cochin fils, in the same direction, is in the Louvre (inv. no. RF 2054).

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