拍品专文
Angela Ghirardi dates this painting to the 1560s (loc. cit.). The composition ultimately derives from the works of the Parmese artists Parmigianino and Girolamo Mazzola Bedoli, confirming its continued success among wealthy Bolognese ladies in the third quarter of the 16th century. An exceedingly close composition, perhaps of the same sitter and also on copper, given to Passarotti appeared at Finarte, Rome, 30 March 1982, lot 218.