JOSEF ALBERS (1888-1976)
JOSEF ALBERS (1888-1976)
JOSEF ALBERS (1888-1976)
8 更多
JOSEF ALBERS (1888-1976)
11 更多
JOSEF ALBERS (1888-1976)

Homage to the Square: Ten Works by Josef Albers

细节
JOSEF ALBERS (1888-1976)
Albers, J.
Homage to the Square: Ten Works by Josef Albers
the complete set of ten screenprints in colors, on Mohawk Superfine Bristol paper, 1962, number 78 of 250 (Danilowitz notes only ten from the edition were signed), each with the embossed plate number, published by Ives-Sillman, New Haven, Connecticut, loose (as issued), with table of contents, justification and text pages by Richard Lippold, with full margins, with the original cream linen-covered portfolio and black leather-covered slipcase
Each Sheet: 16 7/8 x 16 7/8 in. (429 x 429 mm.)
Overall: 18 1/8 x 17 ½ x 1 ¼ in. (460 x 445 x 32 mm.)
出版
Danilowitz 156.1-156.10
更多详情
Including: Wide Light (D. 156.1), Thaw (D. 156.2), Tenuous (D. 156.3), Equivocal (D. 156.4), Patina (D. 156.5), Full (D. 156.6), Shielded (D. 156.7), Aura (D. 156.8), Reserved (D. 156.9), and Joy (D. 156.10)

荣誉呈献

Lindsay Griffith
Lindsay Griffith Head of Department

拍品专文

Homage to the Square: Ten Works by Josef Albers challenged Albers to reconsider how he worked with color, as he was used to using his paints unmixed, direct from the tube. He worked with his publisher, Ives-Sillman, to devise a system whereby Albers determined his color of choice and applied the oil paint to absorbent paper for Sillman to take back to the print shop and color match in printing ink. The process also required a rethinking of the creation of the clean-lined squares; Albers feared a distortion of the colors due to inexact registration or overlapping. Instead, the squares were superimposed onto one another and printed in layers, starting with the area of the most saturated ink. Printing Homage to the Square: Ten Works by Josef Albers required fastidious judgment and patient labor from the printing team.

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