拍品专文
The jagged edges of the abstract forms and the sense of an ethereal light in the present work are similar to that of a number of sumptuous oval format paintings that Tack painted primarily in the late 1920s and the early 1930s. A number of these works, such as Untitled Oval (Golden Morning) (1930) and Spring Night (1931), are in the collection of the Phillips Collection in Washington, D.C.