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拍品專文
Alvarez Bravo embraced lyricism in his photography and by 1935, fantasy and dream were established motifs in his work. Susan Kismaric, in her accompanying publication to the 1997 MoMA exhibition Manuel Alvarez Bravo explains this image:
...The Daydream of 1931 is a simple, direct picture of a young girl standing on a balcony caught in a wistful moment by the photographer. Alvarez Bravo glanced up to see the girl as he sat reading Dostoevski in the tenement where he lived, jumped up to retrieve his Graflex, and returned to find her in the same pose. Despite its simplicity, the picture is a rhapsody of longing, lament, or revery. The construction of the picture puts the young woman at some distance from us, behind the barrier of the fence whose angles are repeated in the angle formed by the position of her arms. The light on her right side, and especially on her shoulder, seems to emanate from above, singling her out. Her insulated experience is not betrayed by the photographer, or by us, in the slightest. In its quietude and its sense of the solitary, the picture exists in a kind of vacuum, while it simultaneously conveys its message across time and place (p.28).
Vintage prints of this important image are exceedingly rare.
...The Daydream of 1931 is a simple, direct picture of a young girl standing on a balcony caught in a wistful moment by the photographer. Alvarez Bravo glanced up to see the girl as he sat reading Dostoevski in the tenement where he lived, jumped up to retrieve his Graflex, and returned to find her in the same pose. Despite its simplicity, the picture is a rhapsody of longing, lament, or revery. The construction of the picture puts the young woman at some distance from us, behind the barrier of the fence whose angles are repeated in the angle formed by the position of her arms. The light on her right side, and especially on her shoulder, seems to emanate from above, singling her out. Her insulated experience is not betrayed by the photographer, or by us, in the slightest. In its quietude and its sense of the solitary, the picture exists in a kind of vacuum, while it simultaneously conveys its message across time and place (p.28).
Vintage prints of this important image are exceedingly rare.