細節
名和晃平
Pixcell- Topi
綜合媒材 雕塑
2007年作

名和晃平的《Pixcell-Topi》(Lot 1613)系列作品,利用真的鹿頭,鑲上不同尺寸的玻璃珠,扭曲內部主題視覺感與觸感,讓觀者再次審視其與真實的鹿的關連性。作品《Bambi》是為一件被獵取而製成的慎塞動物頭部,它讓我們對這些優雅的生物感到同情或敬畏。不過,當透過這些半透明的串珠觀看作品,晶化效果限制了鹿本身某些部位的色調,奇特的構圖讓玻璃冷冽的感覺和動物本身的溫暖相互衝突,因此也促成了一種巧計與視覺假象融合的感覺。作品移除觀者對鹿既定的觀點,鹿的動作和生命都藏在玻璃的偽裝之下,觀者更能以客觀的視野面對作品,欣賞名和晃平的工藝技術,及他對此媒介運用上的靈活度。

榮譽呈獻

Felix Yip
Felix Yip

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拍品專文

In Pixcell-Topi (Lot 1613) from his Beads series, Kohei Nawa takes a real deer's head and conceals it with glass beads of various sizes to distort the visual and tactile sensation of the inner subject, inviting a re-examination of existing associations of the deer. Through Disney movies such as Bambi, we are predisposed to feel sympathy or awe for these elegant creatures transformed into prized stuffed animals by hunting. However when viewed from under semi-opaque beading, the crystallized effect limits select segments of the deer's coloring to show in pixilated composition while the cold sensation of the glass contradicts the warmth of a living animal, thus elevating a sense of artifice and optical illusion. By parting with pre-existing notions of a deer, its behavior and livelihood under its glass disguise, the viewer faces the work with objective eyes, appreciating Nawa's authoritative craftsmanship and facility with his chosen medium.

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