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徐悲鴻 三駿圖 設色紙本 鏡框
款識：悲鴻
鈐印：東海王孫
鑑藏印：白雲堂 (黃君璧1898 — 1991)
出版：《白雲堂藏畫•下集》，國泰美術館，臺灣，1981年，第162-163頁，圖版85。
日本二玄社精印單頁原寸，1990年。
來源：香港佳士得，中國近代書畫拍賣，1996年4月28日，編號228。
《三駿圖》難得之處是，一、水彩作品，二、三匹奔馬，三、黃君璧舊藏。
徐悲鴻較早期作品所用的水彩，是比較能揉合西方油彩與中國水墨的一種媒介。徐氏早年於歐洲接受素描和油畫訓練，寫實主意根基紮實。1918年寫贈蔡元培，及1919年寫奉姬覺彌的兩幅三馬圖，畫風及色調都帶強烈西方油畫原素，他說：“中國畫的物質材料稍遜西方，中國生紙最難盡色，是繪畫進步一大障礙，礦色不易分明暗，容易流於平淡無味”。又“作畫切勿抄襲古人，須憑實寫，以達維妙維肖之境，妙屬於美，肖則屬於藝。”水彩紙最能表現徐悲鴻這番道理。此幅《三駿圖》用水彩紙，背景的顏料水份，控制得宜，前景草叢深潤踏實，後景呈現駿馬跑過後飄揚起的濕氣，把境深拉遠。而駿馬的神態，就是徐氏所要達至的維肖維妙境界。與前述兩幅三馬圖的主角相同，一黑一白一小馬，愜意地馳騁草原上。《三駿圖》未題年份，應屬1930年前後的早期作品。1927年，徐悲鴻與蔣碧微的長子徐伯陽是年出生，徐氏心中喜樂，加上藝術事業漸上軌道，一家三口，就如圖中的馬兒般，有相聚時的安全感，又有自由自在的空間，相信徐氏創作此幅時應充滿幸福快樂之情。
藏印白雲堂，是黃君璧舊藏。黃君璧與徐悲鴻、張大千同輩齊名，三位是至交好友，惺惺相惜。1927年黃君璧任廣州市立美專教師兼教務主任，徐悲鴻來穗，遂與訂交。黃君璧亦是資深藏家，他所藏真跡囊括宋元明清以至近代名家之妙品。徐悲鴻曾於1938年為黃君璧畫像，並題款“天下何人不識君，黃君到處留清名”，對黃氏推崇有加。1944年冬，抗日抗戰勝利前夕，徐悲鴻畫《雞鳴圖》贈黃君璧，並題“雄雞一唱天下白。君璧道長教之。” 可見二人交情之深。
此畫難得之處，應該還有第四：是徐氏還是精神抖擻、預備踏上康莊大道之時候和心態。沒有後期作品的沉鬱丕變，有的是融洽、和諧、溫暖，使觀者望之心境平和，直渴望與家人或好友，放開胸懷，享受馳騁大草原之樂。
露芳閣藏中國書畫
露芳閣主人八十年代初到北京經商，有緣結交啟功、黃胄、董壽平及范曾等名家大師，在他們的薰陶下，對中國書畫產生濃厚興趣，開始鑽研並涉獵名家作品。三十年下來，所得名師精品無數，此次共五十二件藏品，包括廿二件古代書畫及三十件近代畫作，覆蓋廣遠，部分是於早年拍賣所得，品質來源俱佳，必受藏家喜樂。
此近現代畫拍賣目錄，包括徐悲鴻的《三駿圖》，這幅中西融合的作品，用中國大意的筆法表現奔馬的雄姿，又以水彩的技法描繪青草等背景，只有徐氏學貫中西才能有此佈局，此作是黃君璧白雲堂舊藏，曾在台灣多次展覽；日本二玄社特選精印出版。另還包括齊白石《硃砂竹子》、《孩童玩樂圖》；張大千早年精品《描金山水》等。
古代書畫拍賣目錄，有明代沈周山水；文徵明行草詩稿，石渠寶笈著錄；文點《江村讀書圖》；陸治《水仙圖》；藍瑛山水一套兩冊，水墨詩意，青綠典雅；董其昌《五岳圖》，羅振玉舊藏，1928年東京國立博物館展覽；清代袁耀《漢宮秋月》；傅山草書；及冷枚《虎子圖》，畫後有五十三位清皇室後人及官員長跋，實屬罕有，可藏之細意品玩，趣味盎然。
款識：悲鴻
鈐印：東海王孫
鑑藏印：白雲堂 (黃君璧1898 — 1991)
出版：《白雲堂藏畫•下集》，國泰美術館，臺灣，1981年，第162-163頁，圖版85。
日本二玄社精印單頁原寸，1990年。
來源：香港佳士得，中國近代書畫拍賣，1996年4月28日，編號228。
《三駿圖》難得之處是，一、水彩作品，二、三匹奔馬，三、黃君璧舊藏。
徐悲鴻較早期作品所用的水彩，是比較能揉合西方油彩與中國水墨的一種媒介。徐氏早年於歐洲接受素描和油畫訓練，寫實主意根基紮實。1918年寫贈蔡元培，及1919年寫奉姬覺彌的兩幅三馬圖，畫風及色調都帶強烈西方油畫原素，他說：“中國畫的物質材料稍遜西方，中國生紙最難盡色，是繪畫進步一大障礙，礦色不易分明暗，容易流於平淡無味”。又“作畫切勿抄襲古人，須憑實寫，以達維妙維肖之境，妙屬於美，肖則屬於藝。”水彩紙最能表現徐悲鴻這番道理。此幅《三駿圖》用水彩紙，背景的顏料水份，控制得宜，前景草叢深潤踏實，後景呈現駿馬跑過後飄揚起的濕氣，把境深拉遠。而駿馬的神態，就是徐氏所要達至的維肖維妙境界。與前述兩幅三馬圖的主角相同，一黑一白一小馬，愜意地馳騁草原上。《三駿圖》未題年份，應屬1930年前後的早期作品。1927年，徐悲鴻與蔣碧微的長子徐伯陽是年出生，徐氏心中喜樂，加上藝術事業漸上軌道，一家三口，就如圖中的馬兒般，有相聚時的安全感，又有自由自在的空間，相信徐氏創作此幅時應充滿幸福快樂之情。
藏印白雲堂，是黃君璧舊藏。黃君璧與徐悲鴻、張大千同輩齊名，三位是至交好友，惺惺相惜。1927年黃君璧任廣州市立美專教師兼教務主任，徐悲鴻來穗，遂與訂交。黃君璧亦是資深藏家，他所藏真跡囊括宋元明清以至近代名家之妙品。徐悲鴻曾於1938年為黃君璧畫像，並題款“天下何人不識君，黃君到處留清名”，對黃氏推崇有加。1944年冬，抗日抗戰勝利前夕，徐悲鴻畫《雞鳴圖》贈黃君璧，並題“雄雞一唱天下白。君璧道長教之。” 可見二人交情之深。
此畫難得之處，應該還有第四：是徐氏還是精神抖擻、預備踏上康莊大道之時候和心態。沒有後期作品的沉鬱丕變，有的是融洽、和諧、溫暖，使觀者望之心境平和，直渴望與家人或好友，放開胸懷，享受馳騁大草原之樂。
露芳閣藏中國書畫
露芳閣主人八十年代初到北京經商，有緣結交啟功、黃胄、董壽平及范曾等名家大師，在他們的薰陶下，對中國書畫產生濃厚興趣，開始鑽研並涉獵名家作品。三十年下來，所得名師精品無數，此次共五十二件藏品，包括廿二件古代書畫及三十件近代畫作，覆蓋廣遠，部分是於早年拍賣所得，品質來源俱佳，必受藏家喜樂。
此近現代畫拍賣目錄，包括徐悲鴻的《三駿圖》，這幅中西融合的作品，用中國大意的筆法表現奔馬的雄姿，又以水彩的技法描繪青草等背景，只有徐氏學貫中西才能有此佈局，此作是黃君璧白雲堂舊藏，曾在台灣多次展覽；日本二玄社特選精印出版。另還包括齊白石《硃砂竹子》、《孩童玩樂圖》；張大千早年精品《描金山水》等。
古代書畫拍賣目錄，有明代沈周山水；文徵明行草詩稿，石渠寶笈著錄；文點《江村讀書圖》；陸治《水仙圖》；藍瑛山水一套兩冊，水墨詩意，青綠典雅；董其昌《五岳圖》，羅振玉舊藏，1928年東京國立博物館展覽；清代袁耀《漢宮秋月》；傅山草書；及冷枚《虎子圖》，畫後有五十三位清皇室後人及官員長跋，實屬罕有，可藏之細意品玩，趣味盎然。
來源
Lot 228, 28 April 1996, Fine 19th and 20th Century Chinese Paintings, Christie's Hong Kong.
THE LU FANG GE COLLECTION OF CHINESE PAINTINGS
The owner of the Lu Fang Ge Collection first began his business in Beijing in the 80's, where he met by chance Qi Gong, Huang Wei, Dong Shoupin and Fan Zeng, who became his mentors and ignited his passion towards Chinese painting and calligraphy. Over thirty years of collecting the Lu Fang Ge Collection became a repository for precious and rare paintings-the fifty-two paintings presented here are a combination of both classical and modern paintings that encompass a broad period of Chinese art and culture. Many of these works were purchased through auction many years ago with enviable provenance and will add strength to any collection.
In the modern paintings section Xu Beihong's The Three Stallions is an amalgamation of Western and Eastern painting techniques, using mainly Chinese brushwork to paint the physique of the horse, while using watercolour methods to depict the grass and the background. It is also particularly rare as it comes from the collection of Huang Junbi and was exhibited in Taiwan multiple times, as well as being published in Japan. Furthermore Qi Baishi's Bamboo, Spring Fun, as well as Zhang Daqian's early work Blue and Green Landscape are also rare masterpieces from the collection.
The Lu Fang Ge Collection contains many paintings from prominent artists in the Ming dynasty, such as Shen Zhou's Cooling in a Bamboo Grove, Wen Zhenming's Poetry in Cursive Script (catalogued in the Shiqu Baoji), Wen Dian's Studying in a Village by a River, Lu Zhi's NarcissusM and landscapes albums by Lan Ying. In particular, Dong Qichang's Five Sacred Mountains, previously in the collection of Luo Zhenyu, was exhibited at the Tokyo National Museum in 1928. The Lu Fang Ge Collection also contains a strong collection of paintings from the Qing dynasty, such as Palace under Moonlight, Fu Shan's calligraphy and Leng Mei's The Young Hercules, with up to fifty-three commendations of the piece by members of the palace and generals.
THE LU FANG GE COLLECTION OF CHINESE PAINTINGS
The owner of the Lu Fang Ge Collection first began his business in Beijing in the 80's, where he met by chance Qi Gong, Huang Wei, Dong Shoupin and Fan Zeng, who became his mentors and ignited his passion towards Chinese painting and calligraphy. Over thirty years of collecting the Lu Fang Ge Collection became a repository for precious and rare paintings-the fifty-two paintings presented here are a combination of both classical and modern paintings that encompass a broad period of Chinese art and culture. Many of these works were purchased through auction many years ago with enviable provenance and will add strength to any collection.
In the modern paintings section Xu Beihong's The Three Stallions is an amalgamation of Western and Eastern painting techniques, using mainly Chinese brushwork to paint the physique of the horse, while using watercolour methods to depict the grass and the background. It is also particularly rare as it comes from the collection of Huang Junbi and was exhibited in Taiwan multiple times, as well as being published in Japan. Furthermore Qi Baishi's Bamboo, Spring Fun, as well as Zhang Daqian's early work Blue and Green Landscape are also rare masterpieces from the collection.
The Lu Fang Ge Collection contains many paintings from prominent artists in the Ming dynasty, such as Shen Zhou's Cooling in a Bamboo Grove, Wen Zhenming's Poetry in Cursive Script (catalogued in the Shiqu Baoji), Wen Dian's Studying in a Village by a River, Lu Zhi's NarcissusM and landscapes albums by Lan Ying. In particular, Dong Qichang's Five Sacred Mountains, previously in the collection of Luo Zhenyu, was exhibited at the Tokyo National Museum in 1928. The Lu Fang Ge Collection also contains a strong collection of paintings from the Qing dynasty, such as Palace under Moonlight, Fu Shan's calligraphy and Leng Mei's The Young Hercules, with up to fifty-three commendations of the piece by members of the palace and generals.
出版
The Collections of Pai Yuan Tang (Volume II), Cathay Art Museum, Taipei, 1981, pp.162-163, pl.85.
Single leaf in actual size, Negensha Publishing Co., Japan, 1990.
Single leaf in actual size, Negensha Publishing Co., Japan, 1990.