QI BAISHI (1863-1957)
QI BAISHI (1863-1957)

Wisteria

細節
齊白石 紫雪垂空 設色紙本 立軸    一九三一年作
題識:生龍活蛟捉拿不住,紫雪垂空未及地。治園將軍雅正。辛未 (1931年) 夏四月之初,齊璜。
鈐印:白石翁、甑屋
鑑藏印:半山後人

註:上款“治園”即王纘緒 (1887-1950),四川西充人,字 治園。早年入四川陸軍速成學堂。1926年任國民革命軍第廿一軍第四師師長。1935年任第四十四軍軍長。1938年任第廿九集團軍總司令,四川省政府主席。1944年後任重慶衛戍總司令,西南軍政長官公署副長官等職。他嗜書畫,曾向白石約請刻印並通信,成千里神交。從白石老人的印譜中可見他為王氏治印,包括“治園延年”朱文印、“王繼緒”白文印,另方“王繼緒印”則為白文巨印,印文尺寸之大恐為白石印中稀見。約1931年,他托在京的友人請齊白石刻印,彼此通訊,王氏一再邀白石蜀游,說入蜀可掙豐厚潤資,並贈他一侍女,以為他“磨墨理紙”,白石作《夢遊重慶》詩,序曰:“王君治園與余不相識,以書招游重慶,余諾之。忽因時變,未往。逐為萬里神交。強自食言前約,故夢裡獨見荊州。”直到1936年,王氏再三招邀,另一方面是齊白石的第二個夫人胡寶珠是四川豐都人,可以借此機會返鄉探親,所以當時齊白石是帶著寶珠和兩個最小的孩子經漢口、過沙市、過萬縣,抵嘉州,到成都,方成行踐遊蜀之約。此行直至同年八月廿五日離成都,九月五日返北京。
留蜀期間,白石屢有佳作寫贈王纘緒。白石送贈王氏最重要的作品,就是寫於1932年的山水十二條屏。尺幅大、畫工精,這是繼1926年為子林畫另一套十二屏後的又一巨製。堪稱白石山水中的極品。在其中《夢中蜀景》一屏中,題了《夢遊重慶》。其中一幅上題:“毋忘尺素倦紅麟,一諾應酬知己恩。昨夜夢中偏識道,布衣長揖見將軍。”(《夢遊渝城》詩) 將軍謂治園君。此套巨製於1950年由王纘緒捐贈給重慶市博物館。
本幅《紫雪垂空》寫於1931年夏,是目前所見送贈王纘緒最早的作品。此畫為六尺對開大軸,屬少量的大幅紫籐畫作。畫面構圖豐富飽滿,花簇垂垂如瓔珞珠串,色彩明快,籐枝前後穿插,與花簇交曡掩映,濃淡墨韻與輕柔色調相間,見墨彩相融的調協效果。白石用筆熟練,舉重若輕,枝幹遊走盡曲折蜿蜒之致,直如筆鋒的提頓轉折,運行流暢,速疾中不失穩重,線條極具書法的韻味。其遊走的軌跡,了無拘滯,似筆隨意動,行止有度,但非經千錘百煉,不能將刻意經營化作率性隨意,達到亂中有序,有條不紊的境界!
全畫寫來暢達淋漓,一氣呵成,也難怪畫家題跋自滿地稱‘生龍活蛟捉拿不住’!此外,‘紫雪垂空未及地’,點出了畫中尚以赭石渲染地陂,籐蘿串串懸垂半空卻未著地,帶出了畫面各組成部位的空間位置關係,而地陂的描畫在其紫籐作品中也是極為少見的。

登入
瀏覽狀況報告

拍品專文

Wang Zuanxu (1887-1950), courtesy name Zhiyuan, was from Xichong, Sichuan. A graduate from the Sichuan Army Academy, he started his career in the Nationalist Military: first as Commander of the Fourth Troop Division of the Twenty-first Armed Forces in 1926; then moved up the ranks to various senior posts, including Chief Military Commander of Weixu and Zhongqing and then Deputy Chief Official of the Southwestern Military Executive Office. Wang loved paintings and calligraphy and began corresponding with Qi Baishi after commissioning the carving of a seal from him. Seals of various sizes were made for Wang, including a rare "Wang Zuanxu" seal. Wang invited Qi to visit Sichuan a couple of times and in 1936, Qi brought his wife, who was a native of Sichuan, and his two sons along for a trip. To express his gratitude for Wang's hospitality, Qi Baishi offered some great works as gifts to Wang Zuanxu. The most important one is a landscape screen of twelve-panels created in 1932, a masterpiece after the twelve-fold screen painted for Zilin in 1926. Wang eventually donated this treasure to the Chongqing Museum in 1950.

Created in the summer of 1931, Wisteria is the earliest known recorded painting that Qi Baishi gifted to Wang Zuanxu (aka Zhiyuan). Qi painted many works of wisteria after the age of 60, but a large picture like this one is very rare. In Wisteria, the hanging clusters dangle like necklaces and strings of pearls in pale blue and lilac; the branches intertwine with the blossoms, presenting a harmonious interplay of ink and colour. The meandering branches are as free-flowing and rhythmical as calligraphy, which shows Qi's superb mastery of the paintbrush in fully expressing the spirit of his painting subject while making any effort look effortless. The latter part of the inscription Zixue chuikong weiji di "Drifting purple snow has not reached the ground yet" highlights the spatial composition of the painting, as suggested by an ochre-coloured land, an element rare in Qi's other paintings of wisteria.

更多來自 中國近現代畫

查看全部
查看全部