Untitled (Studies After Picasso)

細節

FRANCIS NEWTON SOUZA (1924-2002)
Untitled (Studies After Picasso)
signed and dated 'Souza 56' (upper right); signed and dated 'Souza 1949.' (lower left); signed and dated 'Souza 59' (upper centre); signed and dated 'Souza 56' (upper left)
ink on paper
9 7/8 x 7 7/8 in. (25.2 x 20.2 cm.); 9 7/8 x 7 7/8 in. (25.2 x 20.2 cm.); 6 7/8 x 9 3/8 in. (17.7 x 24 cm.); 4 7/8 x 7 7/8 in. (12.5 x 20.2 cm.)
Executed in 1956; 1949; 1959; 1956
Group of four works on paper (4)

出版

Untitled (Seated Harlequin and Actors), 1949, F. Souza and G. Melly eds., F. N. Souza: Religion and Erotica, London, 2005, p. 79 (illustrated)
Untitled (Reclining Nude), 1959, ibid., pp. 6-7 (illustrated)

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拍品專文

The tour de force came in the 40s when I saw works by Van Gogh, Gauguin, Cezanne, Matisse and Picasso reproduced in art books over which I poured in the J. N. Petit Library, of which you had to be a member which cost money. And despite the fact I hardly had money to spare [...] I was a member [...], completing my extracurricular education [...]. When I went to Europe, my education became polished.
(F. N. Souza, Writings and Statements by Souza, in correspondence with Dr. A. S. Raman, August 1986, unpaginated)

"He [Souza] has the distinction of being the only Indian artist who has ever exhibited with Picasso. This happened in 1954. The Institute of Contemporary Art, London organised a group show in which he participated along with Picasso, Henry Moore and Graham Sutherland. Later he exhibited with Francis Bacon and Du Buffet [sic]. Also, Souza was among the top four in the fiercely competitive international art contest organised by the Guggenheim Foundation in the '50s. He appears in the International Who's Who and the Oxford Companion on Modern Art."
(A. S. Raman, 'As Fearless as His Brush', circa 1980s, unpaginated)