ABDUR RAHMAN CHUGHTAI (1894-1975)
FORMERLY FROM THE COLLECTION OF ALISTAIR DUNCAN MBE
ABDUR RAHMAN CHUGHTAI (1894-1975)

Sacred Stairs

細節
ABDUR RAHMAN CHUGHTAI (1894-1975)
Sacred Stairs
signed 'Rahman Chughtai' (lower left) and titled 'Sacred Stairs' (lower right)
etching on paper laid on card
Plate: 9¾ x 9 1/8 in. (25 x 23.3 cm.)
Sheet: 13¼ x 11 7/8 in. (33.8 x 30.4 cm.)
Together with:
Poet of the East and Chughtai, 1962, printed book in English and Urdu by Sir Mohammad Iqbal (1877-1938) (main author), illustrations by Abdur Rahman Chughtai (1897-1973), introduction by S A Rahman. Lahore, Nisar Art Press, 476 pp, 37 tipped-in plates, inscribed by M. Zia ul Haq, 10.3.81
AND
Chughtai's Paintings, 1970, printed book in English, foreword by Dr. James H. Cousins, introduction by Razia Siraj-ud-Din, Lahore, Print Printo Press, unpaginated, 45 illustrated plates (3)
來源
Private Collection of Alistair Duncan MBE
Thence by descent

A photographer, writer and SAS soldier, Mr. Duncan was one of the organisers of the World of Islam Festival in London in 1976. He served as Director of the Al Tajir Trust and worked with the Victoria & Albert Museum.

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拍品專文

Abdur Rahman Chughtai is one of the most acclaimed and revered Pakistani artists of the 20th century, though much of his oeuvre reflects a shared South Asian cultural heritage. The artist began his training at the Mayo School of Art in Lahore in 1911. There he was taught by Samarendranath Gupta, who was himself a pupil of Abanindranath Tagore. The influence of the Bengal School is visible in Chughtai's early work, but what distinguishes the artist is his skill as a draughtsman. He portrayed famous personalities from Islamic history and depicted scenes from religious and Mughal texts, in compositions rendered with characteristically bold, flowing lines. His etchings were printed in small editions and were rarely numbered. Chughtai visited Europe and came into contact with Pre-Raphaelite painting and Art Nouveau. The artist's virtuosic intricacy was afterwards also reminiscent of the prints of Aubrey Beardsley, whose dense linear designs had become very fashionable in both Europe and India in the early 20th century.