QI BAISHI (1863-1957)
QI BAISHI (1863-1957)
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野原大輔先生珍藏 此批齊白石及王震作品原屬野原大輔先生 (1882-1954) 收藏,其中多有畫家題贈。野原先生1882年生於日本長野縣飯田市,卒業於京都帝國大學後進入橫濱正金銀行任事,1910至1930年間先後獲派駐孟買、倫敦及中國多個城市分行工作。 野原於1921年至1927年奉委到中國供職,時任上海分行經理,偕家人寓於四川路一公園附近。其妻野原太太至晚年仍對當年上海的生活點滴記憶猶新,亦未忘其時所學漢字。畫作是野原先生旅居中國時於北京結識齊白石而得。野原先生終於1927年遷往英國出任倫敦分行行長,直至1934年;同年野原先生舉家回到故國日本,並繼續在橫濱正金銀行任職至戰爭結束。 此批藏品中的七幅齊白石作品多為水墨紙本,題材、構圖匠心獨具,實為罕覯,既盡顯畫家天縱之才,亦足證二人相敬相識的深厚情誼。
鼎湖飛泉

齊白石

細節
齊白石 鼎湖飛泉 設色紙本 立軸 一九二五年作
題識:野原先生清正。乙丑 (1925年) 秋八月,齊璜。
鈐印:木居士、白石翁
齋白石題簽:山水。白石畫并題此。
鈐印:阿芝

拍品專文

Qi Baishi created this painting in 1925 for Daisuke Nohara. Invited by his friend Guo Baosheng in 1906, Qi visited Mount Dinghu in Zhaoxing, Southern China. He was deeply moved by the grandeur of the waterfall there, which was like a screen of silver shimmering in the sunlight. The scenery was so impressive that he immersed himself in sketching. Qi even wrote a poem to commemorate this enjoyable and inspiring trip.

Waterfall in Dinghu was most probably created by Qi based on one of the sketches he made back in 1906. Compare it with an extremely similar Qi Baishi's painting of waterfall, now in the collection of the Hunan Museum. Not only was it created identically in the eighth month of yichou year (1925), its size, composition, brushwork and treatment of ink and colour are all very similar, thus making Waterfall in Dinghuan a precious piece of early art by Qi Baishi.

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