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LOTS 3175-3176 FROM A SINGAPOREAN COLLECTOR During the Second Sino-Japanese War, many literati, including Xu Beihong, were forced to flee his country and take refuge overseas. The period between 1939 and 1942 saw Xu travel around South-east Asia most frequently, and was also one of the most prolific periods of his career. Xu held fundraising art exhibitions in Singapore, Kuala Lumpur, Ipoh and Penang in aid of the war effort. In 1941, the artist went to Singapore in February to hold an anti-Japanese society exhibition at the invitation of anti-Japanese societies in Penang. His works created at this time were in a manner of contributing to the war effort and repaying his country. During Xu Beihong's sojourns to Singapore, he often stayed at the house of Zhang Nuqi and Zhuang Youzhao. Zhang was also a noted painter at the time, whom Xu met when they were both studying abroad in Paris, and became good friends. Zhang's brother-in-law Zhuang Youzhao was then studying in Germany, and was both an entrepreneur and amateur artist. Together Zhang and Zhuang created the Pengte Artist Society, on No. 181, Tank Road. Xu often spent his times at the Artist Society, mingling and painting with other artists, as well as gifting each other with their works. Admiring the Stallion was created in this happy atmosphere, and gifted to Zhuang as a sign of their friendship. Xu's inspiration for White Plum Blossoms was during his trips to Ipoh, Malaysia with friends-inspired by the purity and tranquil beauty of the blossoms, he created this present piece as a gift to Zhuang.

白梅圖

徐悲鴻

細節

徐悲鴻白梅圖設色紙本鏡框一九四一年作
題識：香雪儼然掩蓋瘡痍重，悠悠春回歲改，悵觸增餘痛。明月南天，古國依稀魂夢。和風醒人魂，漫行二三里，舉眼見古梅，一白清如水。辛巳 (1941年) 春日，怡保客中。有釗仁兄方家教正，弟悲鴻。
鈐印：徐悲鴻、江南布衣

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梅花是徐悲鴻筆下常見的題材。徐的白梅圖用西洋油畫筆法畫梗，以法國印象派用色作花；難得其在技法上雖然西為中用，但仍在在保留傳統國畫的詩意。傷國憂民的徐悲鴻喜以梅入畫，自亦是愛國情懷之表現；徐畢生與國家憂戚與共，一樹梅花既躍然綻於紙上圖畫，更燦然開在畫家心田。徐悲鴻於1941年寫下此《白梅圖》，翌年新加坡淪陷前徐最後一次到訪，將此畫贈于好友聊作紀念。奈何三人此一惜別，竟成永訣；一生為愛國華僑的張汝器與莊有釗，日治時期參與抗日活動，終在一次日軍“大檢證”中蒙難，至堪痛惜。

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