拍品專文
Reverón's images are thus distant not only because they tackle oceanic vastness or towering, mountainous volumes of shadows but because [. . .] they reliquish all desire to possess, to encompass. they are the ghosts that surround us, which we can seize by viewing them against the light--the trick of their shadows--in the ephemeral moment they present themselves.
Luis Pérez-Oramas, "Armando Reverón and Modern Art in Latin America," in exhibition catalogue Armando Reverón (New York: The Museum of Modern Art, 2007), 107.
We are grateful to the Proyecto Armando Reverón for their assistance in confirming the authenticity of this work--to be included in the forthcoming Catalogue Raisonné of the artist.
Luis Pérez-Oramas, "Armando Reverón and Modern Art in Latin America," in exhibition catalogue Armando Reverón (New York: The Museum of Modern Art, 2007), 107.
We are grateful to the Proyecto Armando Reverón for their assistance in confirming the authenticity of this work--to be included in the forthcoming Catalogue Raisonné of the artist.