Muro del Suono

細節

Pietro Consagra (1920-2005)
Muro del Suono
incised with the artist's signature and date 'Consagra 56' (lower right)
bronze
29 7/8 x 18½ x 2in. (76 x 47 x 5cm.)
Executed in 1956, this work is number
two from an edition of two

來源

Galerie de France, Paris.
Acquired from the above by the present owner in 1960.

出版

L. Degand, 'La XXVIIIe Biennale de Venise', in Aujourd'hui, II, no. 8, Paris, June 1956 (another from the edition illustrated, titled Grand Colloque, p. 25).
G. C. Argan, 'Scultura di Consagra', in Quadrum, no. 2, Brussels, November 1956 (another from edition illustrated, titled Composizione, pp. 139 and 143).
C. Giedion-Welcker, 'Origines et tendances du relief', in XXe siècle, XXIII, no. 16, Paris, May 1961 (another from the edition illustrated, p. 8).
Pietro Consagra. Ospite d'Onore, exh. cat., Cairo, Biennale Internazionale del Cairo, Palazzo delle Arti, 2001 (another from the edition illustrated, pp. 31 and p. 298).
Pietro Consagra, necessità del colore, sculture e dipinti 1964-2000, exh. cat., Verona, Galleria dello Scudo and Museo di Castelvecchio, 2007-2008 (another from the edition illustrated, unpaged).
Carlo Cardazzo. Una nuova visione dell'arte, exh. cat., Venice, Peggy Guggenheim Collection, 2008-2009 (another from the edition illustrated, unpaged).

展覽

Venice, XXVIII Esposizione Biennale Internazionale d'Arte, 1956, no. 9 (another from the edition exhibited, titled Composizione, illustrated, p. 67).
Brussels, Palais des Beaux-Arts, Consagra. Sculptures, 1958, no. 3 (illustrated).

注意事項

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

榮譽呈獻

Anne Elisabeth Spittler

aspittler@christies.com +44 (0)20 7389 2125

拍品專文

'...it is not by chance that this sculpture, which is almost an allegory of the condition of modern man confronted by reality, retains the harshness of the machine or the engine of the manufactured product. But it is a machine jammed by a sort of fatality, which has fused the bits, one to the another, welding them together, making a compact mass, barely interrupted by cracks, fractures, unexpected lacerations'.
G. C. Argan, Text with no title, n.p., in Consagra, exh. cat., Bruxelles, 1958.

Muro del Suono

榮譽呈獻

拍品專文

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