Jean Dubuffet (1901-1985)
On occasion, Christie's has a direct financial int… 顯示更多
Jean Dubuffet (1901-1985)

Personnage XXI

細節
Jean Dubuffet (1901-1985)
Personnage XXI
signed with the artist’s initials and dated ‘J.D. 64’ (lower right); titled ‘H 126 Personnage XXI’ (on the reverse)
felt-tip pen on paper
10 5/8 x 8¼in. (27 x 21cm.)
Executed in 1964
來源
Galerie Beyeler, Basel.
Galerie Daniel Varenne, Geneva.
Marjorie Leshaw Collection, New York.
Her Estate sale, Sotheby’s New York, 13 May 2004, lot 120.
Acquired at the above sale by the present owner.
出版
Max Loreau (ed.), Catalogue des travaux de Jean Dubuffet : L’Hourloupe II, vol. XXI, Lausanne 1968, no. 29 (illustrated, p. 22).
注意事項
On occasion, Christie's has a direct financial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. This is such a lot. This indicates both in cases where Christie's holds the financial interest on its own, and in cases where Christie's has financed all or a part of such interest through a third party. Such third parties generally benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful. Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

拍品專文

‘... uninterrupted and resolutely uniform meandering script (unifying all planes to the frontal plane, paying no heed to the particular space of the object described, neither its dimensions, nor its distance nor closeness) thereby abolishing all particularities, all categories... so that this consistently uniform script indifferently applied to all things… will reduce them all to the lowest common denominator and restitute a continuous undifferentiated universe; it will thereby dissolve the categories which our mind habitually employs to decipher (better to say cipher) the facts and spectacles of the world. Herewith the circulation of the mind from one object to another, from one category to another will be liberated and its mobility greatly increased’
(Dubuffet, quoted in M. Rowell, 'Jean Dubuffet: An Art on the Margins of Culture', in Jean Dubuffet: A Retrospective, exh. cat.,
The Solomon R. Guggenheim Museum, New York, 1973, p. 26).

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