Pieter Neefs I (Antwerp 1568/88-1656/61) and Frans Francken II (Antwerp 1581-1642)
Pieter Neefs I (Antwerp 1568/88-1656/61) and Frans Francken II (Antwerp 1581-1642)

The interior of a gothic cathedral, with elegant figures conversing and a priest taking mass

細節
Pieter Neefs I (Antwerp 1568/88-1656/61) and Frans Francken II (Antwerp 1581-1642)
The interior of a gothic cathedral, with elegant figures conversing and a priest taking mass
signed 'PEETER NEEFFS' (upper right) and signed 'Dj ffranck' (lower right)
oil on panel
41.9 x 59.7 cm.
來源
Captain E.G. Spencer-Churchill, Northwick Park: His sale; Christie's, London, 25 February 1966, lot 103 (2400 gns. to Koetser).
Anonymous sale; Christie's, London, 24 May 1985, lot 139.
with K.J. Müllenmeister, Solingen, and by descent to the present owner.
出版
A Catalogue of the Pictures, Works of Art, etc. at Northwick Park, 1864, no. 40.
T. Borenius, A Catalogue of the Collection of Pictures at Northwick Park, London, 1921, no. 151.
L'Age d'Or de la Peinture Flamande, XVIIe Siècle, Brussels, 1989, p. 232, no. 189.

榮譽呈獻

Kimberley Oldenburg
Kimberley Oldenburg

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拍品專文

An architectural painter from Antwerp, Neefs became a member of the city's Guild of Saint Luke in 1609. He spent the early part of his career under the influence of Hendrick van Steenwijck the Elder and his son Hendrick van Steenwijck the Younger, whose works Neefs copied for example in the Gemäldegalerie Alte Meister, Dresden. In his Golden Cabinet of the noble art of painting of 1661, biographer Cornelis de Bie celebrated Neefs for his depiction of churches, praising in particular his representations of pillars, doors, portals and altars. He wrote that looking at his paintings produced the sensation of being in a church (C. de Bie, Golden Cabinet, Antwerp, 1661, p. 155). The elements praised by De Bie can all be found in the present church interior, which holds a strong resemblance to the Antwerp Cathedral, but, like most of Neefs' works, contains elements of architectural fantasy. A similar collaborative work by Neefs and Francken, of the same composition, but with slight variations to the architectural and figural detail, was sold at Sotheby's, New York, 28 January 2010, lot 278 ($86,500).

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