Frodsham. A Fine and Rare 18k Gold Hunter Case Minute Repeating Perpetual Calendar Keyless Lever Chronograph Watch with Moon Phases and Unusual Retrograde Date
Frodsham. A Fine and Rare 18k Gold Hunter Case Minute Repeating Perpetual Calendar Keyless Lever Chronograph Watch with Moon Phases and Unusual Retrograde Date

SIGNED CHAS. FRODSHAM, NO. 06048, AD FMSZ, 84 STRAND, LONDON, STAMPED WITH LONDON DATE LETTER FOR 1879

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Frodsham. A Fine and Rare 18k Gold Hunter Case Minute Repeating Perpetual Calendar Keyless Lever Chronograph Watch with Moon Phases and Unusual Retrograde Date
Signed Chas. Frodsham, No. 06048, AD FMSZ, 84 Strand, London, Stamped with London Date Letter for 1879
Gilt finished three-quarter plate lateral lever movement, bimetallic compensation balance with gold poising screws, minute repeating on two polished steel hammers on to a gong, repeat activated through a slide in the band, gold cuvette, white enamel dial, Roman numerals, outer calibrated firth seconds ring with Arabic fifth divisions, four subsidiary dials for 60 minute register combined with phases of the moon, day and month, unusual arch-shaped retrograde date, large polished circular case , chronograph button in the band, three knuckle hinged back, case stamped C.N./E.N. for Charles Nicole and Emile Nielsen, dial and movement signed Charles Frodsham and numbered
56.5mm diam.

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拍品專文

Charles Frodsham (1810-1871) was a leading manufacturer of high-quality clocks, watches and chronometers and the last active member of a family that had played a prominent role in London clock making since the late 18th century. In 1840, he became a partner of John Roger Arnold who inherited his famous father's business.

At the Great Exhibition of 1851 in London, Frodsham exhibited a three quarter plate caliber signed with the letters AD. FMSZ, a cryptogram for the year 1850. The code is formed by the numerical sequence of the letters in Frodsham, with a Z for zero. The firm subsequently used the code for its most important timepieces.

During this period Frodsham was also closely connected with Nicole Nielsen who produced the majority of the movements, including some of the most accurate and perfect tourbillon ever made.

After Charles' death in 1871, the firm continued but gradually subcontracted its production. However, its quality standards remained among the highest in the trade.

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