Tracey Moffatt (B. 1959)
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Tracey Moffatt (B. 1959)

Guapa (Goodlooking) Series

細節
Tracey Moffatt (B. 1959)
Guapa (Goodlooking) Series
each: signed, numbered and dated 'T.MOFFATT '95 4/20' (on the reverse)
black and white photograph on chromogenic paper, in ten parts
each image: 31 5/8 x 42 ¾in. (80.5 x 108.5cm.)
each sheet: 37 ¼ x 48 ¾in. (94.5 x 124cm.)
Executed in 1995, this work is number four from an edition of twenty
來源
L.A. Galerie Lothar Albrecht, Frankfurt.
Acquired from the above by the present owner in 1998.
展覽
(v)(vi) New York, Dia Art Foundation, Tracey Moffatt: Free-Falling, 1997-1998 (another from the edition exhibited, illustrated in colour, pp. 33-34).
Bristol, Arnolfini, Tracey Moffatt, 1998 (another from the edition exhibited).
Vienna, Kunsthalle Wien, Tracey Moffatt, 1998 (another from the edition exhibited, illustrated in colour, pp. 84-95). This exhibition later travelled to Stuttgart, Wurtembergisher Kunstverein.
(i)(ii)(iv)-(vi) Wellington, City Gallery Wellington, Tracey Moffatt, 2002 (another from the edition exhibited, illustrated in colour, pp. 81-85).
Milan, Spazio Oberdan, Tracey Moffatt: BetweenDreams and Reality, 2006 (another from the edition exhibited, illustrated in colour, pp.103-112).
注意事項
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. All sold and unsold lots marked with a filled square in the catalogue that are not cleared from Christie’s by 5:00 pm on the day of the sale, and all sold and unsold lots not cleared from Christie’s by 5:00 pm on the fifth Friday following the sale, will be removed to the warehouse of ‘Cadogan Tate’. Please note that there will be no charge to purchasers who collect their lots within two weeks of this sale.

拍品專文

Guapa (Goodlooking) Series encapsulates Tracey Moffatt’s unique cinematic imagination and compelling stance on power and gender relationships. Executed in 1995 when the Australian artist was in residence at ArtPace in Texas, this series of ten photographs captures the frenetic and intense energy of a roller derby match, the ferocious female players crashing into each other and battling it out for victory. Together, the individual images present a dynamic narrative, appearing as though film stills from an action-packed movie on pause. In this regard, this series bears witness to Moffatt’s inception as a filmmaker and music video producer in the 1980s: her photo-essays retain a staged appearance that reveals Moffatt’s role as a director, recruiting and supervising actors taken from the streets, directing them in visual scripts functioning as statements about sexual, gender and social issues. Challenging the unrealistic ideals of beauty promoted in the media, the women in Guapa (Goodlooking) Series are powerful and aggressive, forceful and energetic. Capturing these strong female characters in black and white recalls the old American roller derby broadcasts. Moffatt envelops her subjects in a romantic atmosphere by printing her black and white negatives on colour photographic paper: delicate, washed hues of magenta create a dreamlike atmosphere, reminiscent of the ambient environment portrayed in Alfred Stieglitz’s and Julia Margaret Cameron’s photographs, photographers Moffatt has found profoundly inspiring: ‘I’m always looking to the past for inspiration, pouring over old photography books and thinking of turn-of-the-century photography—Alfred Stieglitz and another wonderful photographer, Annie Brigman, who was part of the Californian Pictorialist group. Those pictures were printed with the platinum process, a very beautiful, romanticized photography before hard-edged modernist photography was invented’ (T. Moffatt, quoted in C. Fusco (ed.), ‘Tracey Moffatt’, in BOMB Magazine, no. 64, Summer 1998, www.bombmagazine.org/article/2149/tracey-moffatt).

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