Isamu Noguchi (1904-1988)
PROPERTY FROM AN IMPORTANT COLLECTION 
Isamu Noguchi (1904-1988)

Chinese Sleeves #2

細節
Isamu Noguchi (1904-1988)
Chinese Sleeves #2
stamped with initials and numbered 'I. N. A / P' (on the base)
bronze plate
63 7/8 x 31 3/4 x 31 1/2 in. (162.2 x 80.6 x 80 cm.)
Executed in 1987. This work is the second artist's proofs aside from an unrealized edition of six.
來源
Gallery Kasahara, Osaka
Acquired from the above by the present owner, 1989
出版
D. Botnick and N. Grove, The Sculpture of Isamu Noguchi, 1924– 79: A Catalogue, New York and London, 1980, p. 91, no. 506 (illustrated).
展覽
New York, Pace Gallery, Noguchi: Steel Sculptures, May-June 1975, pp. 5 and 13 (another example exhibited).
New York, Arnold Herstand & Company, Isamu Noguchi - The New Bronzes: 1987-88, May-June 1988, p. 17, no. 3 (another example exhibited).
Osaka, Gallery Kasahara, ISAMU NOGUCHI The bronzes: 1987-88, February-March 1989.
San Francisco, University of California, The Public and Private Worlds of Isamu Noguchi, November 1999-March 2000 (another example exhibited).
Albany, College of Saint Rose, Working Metal 1940-1982, October-December 2000 (another example exhibited).
Tokyo, Sogetsu Art Museum, Isamu Noguchi, November-December 2002 (another example exhibited).

榮譽呈獻

Jennifer Yum
Jennifer Yum

拍品專文

"To me the complete artist is one who is devoted to seeking the furthest implication of his art. To this end there are essentially no hard boundaries of categories in the arts—the only limitations are in the artist himself with the strength, inspiration, and ability of the moment. The moment of confrontation with the problem at hand. At this moment he may momentarily be said to be artist, a complete artist, otherwise he is nothing. He may of course, be a specialist such as I have described, he may even be able to frame every reply in terms of his specialized craft, but this seems hardly likely. Rather in maintaining an open view of the world, with its multiplicity, and the variety of its situations, I believe he will want to break all limits. I believe the time will soon come when the complete artist like the complete scientist must transcend his own specialty. The limits of orthodoxy are always crumbling and those who now venture into the arts must swim for it upon a fluid tide.”
-Isamu Noguchi (quoted in Stones and Water, exh. cat., Minneapolis, 1998, u.p.).

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