Luca Forte (Naples 1615-1670)
PROPERTY FROM THE ROTHSCHILD COLLECTION
Luca Forte (Naples 1615-1670)

Apples and grapes in a basket with fish on a stone ledge

細節
Luca Forte (Naples 1615-1670)
Apples and grapes in a basket with fish on a stone ledge
oil on canvas
17½ x 40 1/8 in. (44.5 x 102. cm.)
來源
Silvano Lodi, Campione d'Italia, Italy.
Anonymous sale; Sotheby's, London, 2 June, 1989, lot 89.
出版
M. Marini, Io Michelangelo da Caravaggio, 1974, p. 326, fig. C55.
L. Salerno, Natura morta Italiana 1560-1805, 1984, p. 46-47, fig. 13.4 (under Problemi Relativi al Caravaggio).
展覽
New York, National Academy of Design; Tulsa, Oklahoma, Philbrook Art Center; Dayton, Ohio, Dayton Art Institute; Italian Still Life Paintings from Three Centuries, 2 February-11 September 1983, no. 14, (catalogue by J.T. Spike).
Munich, Allemagne de l'Ouest, Bayerische Staatsgemäldesammlungen, Alte Pinakothek, Natura morta italiana; Italianische Stilleben, Malerei aus drei Jahrhunderten: Sammlung Silvano Lodi, 1984-1985, no. 12 (catalogue by L. Salerno).

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拍品專文

First attributed to Luca Forte in 1974 by Maurizio Marini, the present work is a characteristic example of the Neapolitan painter’s feathery, sparkling touch and meticulous attention to detail. Known for introducing the naturalism of Caravaggio to still-life painting in Naples, Forte also absorbed the influence of Spanish artists working in southern Italy, such as Blas de Ledesma and Juan van der Hamen, developing a unique style which blends bold chiaroscuro with an unmistakable precision and delicate grace. Not usually found in Forte’s work, the fish have an explicit religious connotation in the context of the composition: apples, emblematic of Original Sin, refer to the Fall of Man, while the grape represents the Eucharist and, consequently, the chance for redemption offered by Christ the Savior – whose symbol is the fish.

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