Portrait of a lady, said to be Jenneken ter Borch, three-quarter-length, in a black dress, standing by a table; and Portrait of of a man, said to be Sybrand Schellinger (before 1640-1686), three-quarter-length, in a black costume, a hat by his side

細節

Circle of Gerard ter Borch II (Zwolle 1582/83-1662)
Portrait of a lady, said to be Jenneken ter Borch, three-quarter-length, in a black dress, standing by a table; and Portrait of of a man, said to be Sybrand Schellinger (before 1640-1686), three-quarter-length, in a black costume, a hat by his side
oil on canvas
18 ½ x 14 ¾ in. (47 x 37.5 cm.)
(2)with a collector's wax seal on reverse of the former
a pair

來源

Earl Hompesch, Budapest.
Willibald von Duschnitz, Vienna, 1918.
with Jacques Goudstikker, Amsterdam, 1920.
Looted by the Nazi authorities, July 1940.
Recovered by the Allies, 1945.
In the custody of the Dutch Government.
Restituted in February 2006 to the heir of Jacques Goudstikker.

出版

S.J. Gudlaugsson, Katalog der Gemälde Gerard ter Borchs sowie biographisches Material, The Hague, 1959-60, II, p. 218-9, nos. 244a and 245a, as copies after Gerard ter Borch.
C. Wright, Paintings in Dutch Museums. An Index of Oil Paitings in Public Collections in The Netherlands by Artists born before 1870, London, 1980, p. 49, as school of Gerard ter Borch.
Old Master Paintings: An illustrated summary catalogue, Rijksdienst Beeldende Kunst (The Netherlandish Office for the Fine Arts), The Hague, 1992, p. 50, nos. 273-4, illustrated, as copies after Gerard ter Borch.

展覽

Rotterdam, Rotterdamsche Kunstkring, Catalogue de la Collection Goudstikker d'Amsterdam, 16 May-6 June 1920, nos. 48-9, as Gerard ter Borch.
Saint Louis, City Art Museum of Saint Louis, Exhibition of Dutch Pictures from the 15th-20th Century. Collection Goudstikker Amsterdam- Hollande, November 1922, no. 113, as Gerard Terborch (Portrait of Sybrand Schellinger only).
The Hague, Schilderkundig Genootschap Pulchri Studio, Catalogue de la Collection Goudstikker d'Amsterdam, 13 March-4 April 1926, nos. 173-4, as Gerard ter Borch.
Rotterdam, Rotterdamsche Kunstkring, Catalogue de la Collection Goudstikker d'Amsterdam, 11-26 June 1927, nos. 66-7, as Gerard ter Borch.
Amsterdam, Jacques Goudstikker Gallery, Catalogue des Nouvelles Acquisitions de la Collection Goudstikker, April-May 1930, nos. 112 and 38, as Gerard ter Borch.

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Please note this lot is being sold without a reserve.

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拍品專文

Ter Borch's original composition, for the female portrait of c. 1670, is in the Museum of Fine Arts, Boston, while the male portrait appears to be after a lost work also dating from c. 1670. The sitters of the present portraits were first identified by Gudlaugsson (loc. cit.) as Jenneken ter Borch (1640-1675) and Sybrand Schellinger (before 1640-after 1686), however, this has since been disputed by Kettering (see Alison McNeill Kettering, Drawings from the ter Borch studio estate in the Rijksmuseum, The Hague, 1988, II, p. 645, no. Folio 89).

Gesina ter Borch (1631-1690), half sister of Gerard ter Borch, made a drawing of the female portrait, now in the Prentenkabinet Rijksmuseum, Amsterdam, most likely after the original painting by Gerard ter Borch.

Portrait of a lady, said to be Jenneken ter Borch, three-quarter-length, in a black dress, standing by a table; and Portrait of of a man, said to be Sybrand Schellinger (before 1640-1686), three-quarter-length, in a black costume, a hat by his side

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