Count Amadeo Preziosi (Maltese, 1816-1882)
Amadeo, 5th Count Preziosi, came from one of the foremost families of the Roman Catholic Maltese nobility, but found fame in Muslim Turkey as an artist who depicted with colour and panache the life and landscape of Istanbul, in all its cosmopolitan variety. Instead of the legal career that his father had envisaged for him, Preziosi studied art in Paris, and from 1842 was based in Istanbul until his death forty years later. Here he established a very productive studio, painting picturesque views of the city for a wide variety of European visitors. His representations of the capital of the Ottoman Empire were bought by royal, aristocratic and middle-class tourists, who carried them home as vivid reminders of a society that was at the same time both alien and familiar. These two fine examples of the artist’s mature work demonstrate his skill in combining an acute observation of local customs with a confident grasp of the complex topography of Istanbul and the Bosphorus.PROPERTY OF A LADY OF TITLE
Count Amadeo Preziosi (Maltese, 1816-1882)

Figures gathered in Scutari, Constantinople, the Golden Horn beyond

細節
Count Amadeo Preziosi (Maltese, 1816-1882)
Figures gathered in Scutari, Constantinople, the Golden Horn beyond
signed and dated 'Preziosi 1854.' (lower right)
pen and blue ink, black chalk and watercolour, heightened with white, on paper
16 ¼ x 23 ¼ in. (41.3 x 59 cm.)

榮譽呈獻

Alexandra McMorrow
Alexandra McMorrow

拍品專文

This lively scene of wealthy families at leisure, enjoying a day out from the city, is situated on the wooded slopes of the hills above Scutari (modern Üsküdar), on the Asian side of the Bosphorus. With his customary gusto and light, humorous touch, Preziosi depicts women and children picnicking (one of the ladies has lowered her flimsy gauze veil to flirt with the viewer), a group of musicians, somewhat down-at-heel, an old man seated by his resting oxen, and another group of women, peering out from beneath the fringed canopy of their araba. Behind them is another araba, horse-drawn with closed sides, and, beyond, further groups of men and women beneath the trees. The road back to Scutari descends behind them, with, on the shoreline to left, the Selimye Barracks. On the far side of the Bosphorus, the view extends from the Sea of Marmara to Dolmabahçe Sarayı, the brand-new imperial residence. Preziosi here skilfully combines lively foreground incident with an accurately rendered distant panorama, encompassing the old city of Stamboul, the Golden Horn and Pera, the predominantly European district of the city.

We are grateful to Briony Llewellyn and Charles Newton for their assistance in cataloguing the present lot.

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