A SILK AND WOOL FLORAL PRESENTATION SAMPLER ON LINEN
A SILK AND WOOL FLORAL PRESENTATION SAMPLER ON LINEN

WROUGHT BY MARY MURPHY, KENSINGTON, PHILADELPHIA, DATED 1830

細節
A SILK AND WOOL FLORAL PRESENTATION SAMPLER ON LINEN
WROUGHT BY MARY MURPHY, KENSINGTON, PHILADELPHIA, DATED 1830
inscribed in cartouche stand/ Jesus permit thy sacred name to/ As the first effort of a youthful hand/ And while her fingers oer the canvas move/ Engage her tender heart to seek they love and further inscribed across the bottom Mary Murphy's work done in the 13th/ year of her age Kensington 1830
16 1/2 in. high x 17 1/4 in. wide
來源
Sold, Sotheby Parke Bernet, New York, 13 March 1982, lot 40
出版
Betty Ring, Girlhood Embroidery: American Samplers & Pictorial Needlework, 1650-1850, vol. II (New York, 1993), p. 376, fig. 402.
拍場告示
Please note this lot will no longer be subject to a reserve.

拍品專文

Depicting a latticework basket overflowing with grapes, strawberries and other fauna above a garland tied with a delicate blue ribbon and framing a cartouche worked with a poem, this sampler is one of a group of fifteen related ‘presentation’ samplers made in Philadelphia or the northeastern neighborhood known as Kensington for a twenty-five year period ending in 1839. According to research conducted by Betty Ring, there were at least four schoolmistresses or teachers working in the Philadelphia area: Mrs. Deborah Grelaud, whose school operated between 1806 and 1849; Mrs. Adelaide LeBrun, who kept her Seminary from 1816 until 1839; Mrs. Eliza Martien (or Martin), who taught between 1808 and 1839; and Miss Anna Sanders, who was a teacher at 73 North Seventh Street from 1808 until 1851.

Other samplers with similar composition and verse include an example in the Philadelphia Museum of Art by Eliza M Kandle; one by Eliza Weckerly, which was formerly in the collection of Theodore Kapnek and sold Sotheby Parke Bernet, New York, 31 January 1981, lot 102; and another by Mary Ann Stevenson that was advertised by R. H. Love Galleries, Inc. (Clarion (Spring/ Summer 1986), np.; for more information see Betty Ring, Girlhood Embroidery: American Samplers & Pictorial Needlework, 1650-1850, vol. II, pp. 374-377).

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