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拍品專文
Shilpa Gupta is a multi-media conceptual artist whose work includes photography, interactive digital installations, and performance. She was invited to participate in the acclaimed Younger Than Jesus Triennale at the New Museum in 2009, and her work has been featured at major international institutions, including the Tate Modern in London, the Guggenheim Museum in New York, the Chicago Cultural Center and more recently has represented India as part of 56th Venice Biennale exhibition My East is your West at Palazzo Benzan.
In this installation, featuring thirty-five books that were originally published under pseudonyms, Gupta recreates the cover of each book in etched stainless steel. She explains, "Engraved in stainless steel, a method reserved for inscribing identities in museums or at entrance doors of homes, on the shelves lie some of the oldest book covers with their false names which had been purposefully taken by the writer, along with different reasons for doing so. Be it to conceal ones gender, often that of a woman and sometimes of a man too, or to avoid persecution by one’s own country, or for love and approval of the family, or to write in a language one knows best, for fear of being labelled the ‘mad’ protagonist, or to publish a rejected book or simply to explore multiple selves or to publish a rejected work, writers have sought freedom in being someone else The missing body below the book-covers echo half truths, becoming a register of impositions, vulnerabilities and fears associated by the very first introduction of the self – a name." (Artist statement, 'In conversation with Shilpa Gupta', Art Now website, accessed August 2016)
In this installation, featuring thirty-five books that were originally published under pseudonyms, Gupta recreates the cover of each book in etched stainless steel. She explains, "Engraved in stainless steel, a method reserved for inscribing identities in museums or at entrance doors of homes, on the shelves lie some of the oldest book covers with their false names which had been purposefully taken by the writer, along with different reasons for doing so. Be it to conceal ones gender, often that of a woman and sometimes of a man too, or to avoid persecution by one’s own country, or for love and approval of the family, or to write in a language one knows best, for fear of being labelled the ‘mad’ protagonist, or to publish a rejected book or simply to explore multiple selves or to publish a rejected work, writers have sought freedom in being someone else The missing body below the book-covers echo half truths, becoming a register of impositions, vulnerabilities and fears associated by the very first introduction of the self – a name." (Artist statement, 'In conversation with Shilpa Gupta', Art Now website, accessed August 2016)