拍品專文
This work will be included in the forthcoming Maurice de Vlaminck Digital Database, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.
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Property from the Collection of Arnold Scaasi and Parker Ladd
Maurice de Vlaminck (1876-1958)
Nature morte
細節
Maurice de Vlaminck (1876-1958)
Nature morte
signed 'Vlaminck' (lower right)
oil on canvas
24 5/8 x 29 ½ in. (62.6 x 75.1 cm.)
Painted circa 1910-1911
Nature morte
signed 'Vlaminck' (lower right)
oil on canvas
24 5/8 x 29 ½ in. (62.6 x 75.1 cm.)
Painted circa 1910-1911
來源
Ambroise Vollard, Paris.
Carroll Galleries, New York (acquired from the above, April 1917).
John Quinn, New York (by 1922); Estate sale, American Art Association, New York, 10 February 1927, lot 244.
Aline and Charles J. Liebman, New York (by 1930); sale, Parke-Bernet Galleries, Inc., New York, 7 December 1955, lot 66.
Schoneman Galleries, Inc., New York (by 1956).
Fred Schoneman, New York (by 1978).
Galerie de la Présidence, Paris.
Acquired from the above by the late owners, May 1987.
Carroll Galleries, New York (acquired from the above, April 1917).
John Quinn, New York (by 1922); Estate sale, American Art Association, New York, 10 February 1927, lot 244.
Aline and Charles J. Liebman, New York (by 1930); sale, Parke-Bernet Galleries, Inc., New York, 7 December 1955, lot 66.
Schoneman Galleries, Inc., New York (by 1956).
Fred Schoneman, New York (by 1978).
Galerie de la Présidence, Paris.
Acquired from the above by the late owners, May 1987.
出版
“At the Art Galleries,” The Evening Post Magazine, 12 January 1918, p. 15.
“A 'Modern' at Modern Gallery,” American Art News, vol. XVI, no. 14, 12 January 1918, p. 3.
F. Watson, John Quinn: Collection of Paintings, Water Colors, Drawings & Sculpture, Huntington, New York, 1926, p. 15.
(possibly) "Incorporating the Eighty-First Annual Report of the Trustees for the Year 1950," The Metropolitan Museum of Art Bulletin, vol. 10, no. 1, summer 1951, p. 32.
“Notable Works of Art Now on the Market,” The Burlington Magazine, vol. 98, no. 639, June 1956 (illustrated, pl. XI).
J. Zilczer, "The noble buyer": John Quinn, patron of the avant-garde, Washington, 1978, p. 139.
M.L. Berger, Aline Meyer Liebman: Pioneer Collector and Artist, 1982, no. 21 (illustrated in situ).
R. Bouillot, “Hommage à Vlaminck,”L’œil, no. 383, June 1987, no. 2 (illustrated in color).
F.M. Naumann, ed., How, When and Why Modern Art Came to New York, Cambridge, Massachussetts, 1996, p. 123, no. 126 (illustrated).
“A 'Modern' at Modern Gallery,” American Art News, vol. XVI, no. 14, 12 January 1918, p. 3.
F. Watson, John Quinn: Collection of Paintings, Water Colors, Drawings & Sculpture, Huntington, New York, 1926, p. 15.
(possibly) "Incorporating the Eighty-First Annual Report of the Trustees for the Year 1950," The Metropolitan Museum of Art Bulletin, vol. 10, no. 1, summer 1951, p. 32.
“Notable Works of Art Now on the Market,” The Burlington Magazine, vol. 98, no. 639, June 1956 (illustrated, pl. XI).
J. Zilczer, "The noble buyer": John Quinn, patron of the avant-garde, Washington, 1978, p. 139.
M.L. Berger, Aline Meyer Liebman: Pioneer Collector and Artist, 1982, no. 21 (illustrated in situ).
R. Bouillot, “Hommage à Vlaminck,”L’œil, no. 383, June 1987, no. 2 (illustrated in color).
F.M. Naumann, ed., How, When and Why Modern Art Came to New York, Cambridge, Massachussetts, 1996, p. 123, no. 126 (illustrated).
展覽
New York, Modern Gallery, Paintings by Maurice de Vlaminck, January 1918, no. 126.
New York, Joseph Brummer Galleries, Exhibition of Paintings by Maurice de Vlaminck, March 1922, no. 19 or 23.
(possibly) New York, The Museum of Modern Art, Painting in Paris from American Collections, January-February 1930, no. 94.
New York, Lilienfeld Galleries, Vlaminck, February-March 1944, no. 5.
New York, The Metropolitan Museum of Art, Modern European Paintings, 1950.
Washington, D.C., Hirshhorn Museum and Sculpture Garden, "The Noble Buyer": John Quinn, Patron of the Avant-Garde, June-September 1978, p. 189.
New York, Joseph Brummer Galleries, Exhibition of Paintings by Maurice de Vlaminck, March 1922, no. 19 or 23.
(possibly) New York, The Museum of Modern Art, Painting in Paris from American Collections, January-February 1930, no. 94.
New York, Lilienfeld Galleries, Vlaminck, February-March 1944, no. 5.
New York, The Metropolitan Museum of Art, Modern European Paintings, 1950.
Washington, D.C., Hirshhorn Museum and Sculpture Garden, "The Noble Buyer": John Quinn, Patron of the Avant-Garde, June-September 1978, p. 189.
拍場告示
Please note the additional literature for this work.