A RUSSIAN ORMOLU TWELVE-LIGHT CHANDELIER
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A RUSSIAN ORMOLU TWELVE-LIGHT CHANDELIER

AFTER A DESIGN BY CARLO ROSSI, PROBABLY BY IVAN DIPNER, ST. PETERSBURG, CIRCA 1825

細節
A RUSSIAN ORMOLU TWELVE-LIGHT CHANDELIER
AFTER A DESIGN BY CARLO ROSSI, PROBABLY BY IVAN DIPNER, ST. PETERSBURG, CIRCA 1825
The circular corona with sprays of rose branches issuing scroll-cast chains suspending a pierced circular dish cast with alternating lyres and scrolls and supporting figures of frolicking putti to the rim, with twelve foliate scrolled candlearms, fitted for electricity, pinecone finial later
55 ¾ in. (142 cm.), 34 in. (86.5 cm.) diameter
來源
Galerie Kugel, Paris.
Anonymous sale; Christie's, New York, 18 May 2006, lot 800.
出版
J. Kugel, Tresors des Tzars: La Russie & L'Europe de Pierre Le Grand à Nicolas 1er, Paris, 1998, pl. 263 and p. 108.
注意事項
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.

拍品專文

This classically-inspired chandelier relates to a design by the Italian-born architect Karl Ivanovich (Carlo) Rossi, reproduced in I. Sychev, Russkie svetilniki epokhi klassitsizma (Russian chandeliers of the classical epoch), St. Petersburg, 2003. p. 182. Carlo Rossi (1777-1849) became one of the most important architects and designers in Russia in the early 19th century, working at Pavlovsk from 1814 and becoming Court Architect in 1816.

A similar chandelier at Pavlovsk designed by Rossi and attributed to the German bronzier Ivan Dipner, who executed Rossi's designs at Mikhailovsky Palace and Pavlovsk, is illustrated in A. Koutchoumov, Russian Decorative Art in the Collection of the Pavlovsk Palace Museum, Leningrad, 1981, ill. 85. Another related chandelier attributed to Dipner after a design by Rossi was with Ariane Dandois and is illustrated in the 2000 catalogue, no. 27. A further related example in a Russian museum decorated with lyres, cupids and roses is reproduced here and illustrated in K.A. Solovlev, Russian Decorative Arts of the XVIII-XIX Centuries, Moscow, 1950, pls. 223-224.

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