歌川國芳 (日本, 1797-1861), 宮本武藏之鯨退治 | Christie's
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歌川國芳 (日本, 1797-1861)

宮本武藏之鯨退治

成交價 HKD 1,875,000
估價
HKD 500,000 – HKD 800,000
估價不包括買家酬金。成交總額為下鎚價加以買家酬金及扣除可適用之費用。
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歌川國芳 (日本, 1797-1861)

宮本武藏之鯨退治

成交價 HKD 1,875,000
成交價 HKD 1,875,000
細節
歌川國芳 (日本, 1797-1861)
宮本武藏之鯨退治
作品上題有「一勇齋國芳 畫」
由川口屋昭三所發行
審查員之印:村田 (村田平衛門)和目良(目良太一郎)
木刻版畫 (三聯作)
Oban triptych: each sheet 36 x 24.5 cm. (14 1/4 x 9 5/8 in.) (3)
(3)
出版
在這幅罕見的版畫中,以精湛劍術聞名、同時也是二刀流始祖 的宮本武藏(1583-1647年),將一把精銳無比的長劍插入一隻巨 鯨體內,而場景設在當時的肥後國(也就是現在的熊本縣)。此作 構圖奔放大膽,當宮本武藏打退了巨鯨的那一剎那,將人獸爭 鬥的緊張和戲劇性帶向高潮。大師處理主題情節的手法精湛, 讓巨鯨的龐大體型幾乎是全然佔滿三聯畫布空間,僅餘少許空 間描繪滔天巨浪、和右上方空間一抹灰濛不祥的暗空。巨鯨背 上的漸層黑色表現,則要歸功於一種稱之為擦磨色板的技巧。

榮譽呈獻

Jessica Hsu
Jessica Hsu

拍品專文

In this extremely rare print, Miyamoto Musashi (1583-1647), famed as a sword master and inventor of the two-sword style of fencing (nito-ryu), is shown plunging his sword into a giant whale off the coast of Higo (present-day Kumamoto prefecture). A strikingly bold composition which creates a strong sense of drama and tension at the moment that Miyamato Musashi subjugates the whale. Kuniyoshi achieves this brilliantly by almost completely filling the space allowed by the triptych format with the body of the giant whale, allowing just enough space around for the turbulent sea and a rather ominous sky at the upper right. The black tonal gradation on the whale's back is produced with a technique of abrading the printing block called ita-bokashi.

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