Untitled (Diptych)

‘Crowner has complicated her compositions, strewing them with tipsy curves, ellipses and parts of circles suggestive of orange sections. Her arrangements borrow from the history of abstraction without accruing too great a debt. Matisse’s cutouts and Ellsworth Kelly’s signature curves, which were often kissing, or stacked like those in the letter B, are repeatedly folded into the flux.’
– Roberta Smith