OLLE BONNIÉR (b. 1925)
Please note this lot will be moved to Christie’s F… 顯示更多 MODERNIST MASTERPIECES: THE ALEXANDER KAPLEN COLLECTION
OLLE BONNIÉR (1925-2016)

Rare Low Table, 1951-1954

細節
OLLE BONNIÉR (1925-2016)
Rare Low Table, 1951-1954
painted wood, clear glass
20 in. (50.8 cm) high; 53 1/8 in. (135 cm) wide; 38 3/8 in. (97.5 cm) deep
signed and dated Olle Bonniér / 1951-54
來源
Jackson Design AB, Stockholm
Acquired from the above by the present owner
注意事項
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.

拍品專文

Olle Bonniér grew up in both Los Angeles, California and Stockholm, Sweden, where he was inspired by the sea and it’s limitless layers of hues. His experiences with the unbound sea resulted in a series he called Monochromes, which were single-color layer paintings in teal that he created when he was just eighteen years old. Outside of his formal education of medieval art and Gothic sculpture, Bonniér took a particular interest in the paintings of Hieronymus Bosch, Johannes Vermeer and Giotto and Hans Memling. During this time he was also enthusiastic about Cubist and Surrealist artists, including artists such as Pablo Picasso, Georges Braque and Fernand Léger. This attention to detail and color relationships is obvious in his paintings, where the color denominations are close, but the differences in color temperature create a dynamic image with a sense of space. The present lot is a strong example of Bonniér’s concentration in using colors, shapes and materials to create a rhythmic space that push the boundaries with the intention of implying infinity. The unexpected cut edges of the asymmetric wooden structure and inset glass panel draw the viewer’s focus to what happens outside of the frame of the table as well. After this work was made in 1951-1954, Bonniér broke even further away from the boundaries of the physical frame and began creating audiovisual artwork light experiments.

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