Brice Marden (b. 1938)
Brice Marden (b. 1938)
2 更多
On occasion, Christie's has a direct financial int… 顯示更多
布萊斯·馬爾頓 (1938年生)

《互補》

細節
布萊斯·馬爾頓 (1938年生)
《互補》
款識: COMPLEMENTS 2004-7 B. Marden (左扇畫背); COMPLEMENTS 2004-7 (右扇畫背)
油彩 畫布, 兩扇
整體: 72 x 96 in. (182.9 x 243.8 cm.)
每件: 72 x 48 in. (182.9 x 121.9 cm.)
2004-2007年作
來源
紐約 Matthew Marks畫廊
私人收藏
出版
2006年10月29日 《紐約時報》 "A Subtle Sense of Place" T. Loos著 紐約 (工作室照片,彩色圖版)
2013年 《Brice Marden》 E. Costello著 倫敦和紐約 (彩色圖版, 第107頁)
展覽
2007年11月-12月「Brice Marden: Complements」Matthew Marks畫廊 紐約 美國 (彩色圖版, 展覽公告)
注意事項
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. The third party will be remunerated in exchange for accepting this risk based on a fixed fee if the third party is the successful bidder or on the final hammer price in the event that the third party is not the successful bidder. The third party may also bid for the lot above the written bid. Where it does so, and is the successful bidder, the fixed fee for taking on the guarantee risk may be netted against the final purchase price.

Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot.

榮譽呈獻

Ana Maria Celis
Ana Maria Celis

拍品專文

布萊斯·馬爾頓的《互補》是一幅雄偉的繪畫,上面充滿了藝術家特有的捲繞環形與和盤桓曲轉的彩色顏料。然而這些看似簡單的彩帶,掩飾了這些畫布蘊含的複雜性與概念性特質,在這些畫作中,藝術家檢視了時間和記憶的本質,以及如何將此本質在繪畫中呈現,並表達出當代繪畫本身。在兩幅相連的畫布上,藝術家下筆展開了一連串色彩豐富妍麗的曲折路徑。通常會以「彩帶」作為描述,藝術家選擇將它們稱為線性元素,以避免有任何上下文背景的聯想。在橙色與深藍色的鮮明底色上,馬爾頓的筆觸橫貫了兩幅大型畫布的整個表面。每幅畫布均含有四種不同顏色的線性元素,層層往上堆疊。在左側的畫布上,襯托著橙色的背景,馬爾頓首先佈下綠色元素,接著是藍色、棕色,最後是紅色。相反的,在右側的藍色面板上,藝術家從紅色開始,然後置入橙色和綠色。色彩繽紛的色帶自由漫遊,唯一約束它們的就是畫布邊緣,而畫布的邊緣又由塗色的邊界所限定。用來表現馬爾頓藝術技巧的痕跡,則如同幽靈般在畫中徘徊。一次又一次、擦除又重畫,馬爾頓用調色刀刮除層次,然後持續不斷地重新創作《互補》,直到畫作被他稱為「解決」為止。最終成果則展現了在飄渺背景與優雅動態之間引人入勝的迷人反差。

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