拍品專文
See, I'd gotten over the years excited about scale, coming closer on the nude. I'd gotten a little tired of doing full length nudes because everything else in the painting had to be so small. It wasn't exciting enough to my eye. ...I wanted to deal with these big shapes; so I came in closer and closer on the nude...That was really when my work began to me, when I made that realization of what I'm excited by.
—Tom Wesselmann