SIX GEORGE II SILVER CANDLESTICKS
SIX GEORGE II SILVER CANDLESTICKS
SIX GEORGE II SILVER CANDLESTICKS
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SIX GEORGE II SILVER CANDLESTICKS

MARK OF JOHN CAFE, LONDON, TWO 1753, FOUR 1756

細節
SIX GEORGE II SILVER CANDLESTICKS
MARK OF JOHN CAFE, LONDON, TWO 1753, FOUR 1756
Each on shaped triangular base cast with rococo cartouches alternating with shell and flowers, the caryatid stems supporting a baluster socket cast with scrolls and flowers, the bases engraved with a coat-of-arms and crest, Ford Inventory Nos. S.11.A - F to bases, marked underneath and on sockets
9 ¾ in. (24.5 cm.) high
133 oz. 8 dwt. (4,439 gr.)
The arms are those of Gwillym quartering Kyrle with Atherton in pretence, for Robert Gwillym (c.1714-1778) of Langstone Court, co. Hereford and Atherton Hall, co. Lancaster and his wife Elizabeth (c.1721-1763), daughter and heiress Richard Atherton of Atherton Hall, whom he married in 1738. Richard and Elizabeth were painted by Arthur Devis in front of Atherton Hall, the magnificent Baroque house, started by Richard Atherton and completed by his son-in-law Robert Gwillym. The house eventually passed to Thomas Powys, 2nd Baron Lilford (1775-1825), who demolished it.
來源
Robert Gwillym (c.1714-1778) of Langstone Court, co. Hereford and Atherton Hall, co. Lancaster.
Lord Queenborough; Christie's, London, 29 March 1950, lot 132 (the 1756 pair)

榮譽呈獻

Adrian Hume-Sayer
Adrian Hume-Sayer Director, Specialist

拍品專文

Figure candlesticks first became popular on the continent in the late seventeenth century and the first recorded English pair with caryatids stem is by Anthony Nelme dated 1693 now in the collection of the Bank of England.
The fashion was unsurprisingly revived in the Rococo period with the first design produced by Meissonnier published in Paris in 1728, followed by the famous double-satyr candelabrum of 1732 by Thomas Germain and finally to be first reinterpreted in England by Kandler in 1737.

This particular model with floral festoons was first made by Paul de Lamerie in 1748 (a pair in the Ashmolean Museum, Oxford), and was probably created by the talented but anonymous modeller associated with de Lamerie from about 1736 until the late 1740s who was largely responsible for the artistic character of de Lamerie's later ornamental work.

Cafe followed closely behind with this elegant version which he appears to have produced from 1750. Details of John Cafe’s life are scarce. He was apprenticed to the candlestick maker James Gould before entering his mark in 1740. He worked until his death in 1757 when he was succeeded by his brother William, with whom he was already working judging by their indistinguishable cast candlesticks, something on which they appear to have had a monopoly in trade.


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