FRANCISCO DE GOYA Y LUCIENTES (1746-1828)
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FRANCISCO DE GOYA Y LUCIENTES (1746-1828)

Hasta la muerte, Plate 55 from: Los Caprichos

細節
FRANCISCO DE GOYA Y LUCIENTES (1746-1828)
Hasta la muerte, Plate 55 from: Los Caprichos
etching with burnished aquatint, drypoint and engraving,1799, on laid paper, without watermark, a fine impression from the First Edition, published by the artist, Madrid, 1799, with good contrasts and the subtle burnishing printing well, the full sheet
Plate 215 x 150 mm.
Sheet 320 x 223 mm.
出版
Delteil 92; Harris 90
注意事項
This lot is offered without reserve. This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

榮譽呈獻

Tim Schmelcher
Tim Schmelcher International Specialist

拍品專文

‘The Ayala text of 1799-1803 calls the subject of this plate ‘The Old Duchess of Osuna’. The Madrid Biblioteca Nacional text echoes this idea: ‘Foolish women will remain so until their death. This is certainly the Duchess (of Osuna)...’. These two texts are rather surprising in view of what are known to have been the friendly relations between Goya and the Osunas at the time of the Caprichos. The other suggested subject of this plate has been the Queen Maria-Luisa. She, however, was only forty-eight years old in 1799. On the other hand, in Goya's original preparatory drawing for this print, the woman before the mirror seems younger than in the print In any case, the general subject here is the age-old tradition of the allegory of Vanity. This could have been a direct reference to the eventual effect of fading beauty and the coquettish ways of the Queen in her relationship with her young lover, the ‘Prince of Peace’, Manuel Godoy.’

R. S. Johnson, Francisco Goya, Los Caprichos, R.S. Johnson Fine Art, Chicago, 1992, p. 136.

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