.jpg?w=1)
.jpg?w=1)
The Rebirth of a Snake Woman
細節
Chiho Aoshima (née en 1974)
The Rebirth of a Snake Woman
photographie couleur, diasec, dibond et aluminium
99.5 x 142 cm.
Réalisée en 2002, cette œuvre porte le numéro un d'une édition de huit exemplaires.
color print mounted on aluminium
39 1/8 x 55 7/8 in.
Executed in 2002, this work is number one from an edition of eight.
The Rebirth of a Snake Woman
photographie couleur, diasec, dibond et aluminium
99.5 x 142 cm.
Réalisée en 2002, cette œuvre porte le numéro un d'une édition de huit exemplaires.
color print mounted on aluminium
39 1/8 x 55 7/8 in.
Executed in 2002, this work is number one from an edition of eight.
來源
Galerie Emmanuel Perrotin, Paris
Acquis auprès de celle-ci
Acquis auprès de celle-ci
注意事項
This item will be transferred to an offsite warehouse after the sale. Please refer to department for information about storage charges and collection
details.
更多詳情
Autodidacte, Chiho Aoshima appartient au mouvement japonais Kaikai Kiki fondé par Takashi Murakami en 2001 à Tokyo, inspiré grandement par la culture pop japonaise et ses mangas. En japonais, Kaikai Kiki signifie « puissant et sensible », comme un oxymore décrivant l’essence de l’âme artistique et spirituelle japonaise, voulant réconcilier passé et présent, tradition et modernité, collaboration et introspection personnelle. Cette dualité constante se retrouve dans les œuvres de Chiho Aoshima, qui mêlent touches d’humour et de sérieux, mélancolie et obscurité, naturalité et artifices, vie et mort, nature et technologie. Son travail met en scène régulièrement une sorte d’utopie dystopique, comme un coup de projecteur sur le cycle mystérieux de la vie, à la fois présent et sans cesse fuyant, changeant, évolutif.
Self-taught, Chiho Aoshima belongs to the Japanese Kaikai Kiki movement founded by Takashi Murakami in 2001 in Tokyo, greatly inspired by Japanese pop culture and its mangas. In Japanese, Kaikai Kiki means “powerful and sensitive,” like an oxymoron describing the essence of the Japanese artistic and spiritual soul, wanting to reconcile past and present, tradition and modernity, collaboration and personal introspection. This constant duality is reflected in Chiho Aoshima's work, which combines touches of humour and seriousness, melancholy and darkness, naturalness and artifice, life and death, nature and technology. Her work regularly stages a kind of dystopian utopia, like a spotlight on the mysterious cycle of life, which is both present and constantly elusive, changing,evolving.
Self-taught, Chiho Aoshima belongs to the Japanese Kaikai Kiki movement founded by Takashi Murakami in 2001 in Tokyo, greatly inspired by Japanese pop culture and its mangas. In Japanese, Kaikai Kiki means “powerful and sensitive,” like an oxymoron describing the essence of the Japanese artistic and spiritual soul, wanting to reconcile past and present, tradition and modernity, collaboration and personal introspection. This constant duality is reflected in Chiho Aoshima's work, which combines touches of humour and seriousness, melancholy and darkness, naturalness and artifice, life and death, nature and technology. Her work regularly stages a kind of dystopian utopia, like a spotlight on the mysterious cycle of life, which is both present and constantly elusive, changing,evolving.
榮譽呈獻
Paul Nyzam
Head of Department