AN ITALIAN MARBLE FIGURE OF A RECLINING BACCHANTE
AN ITALIAN MARBLE FIGURE OF A RECLINING BACCHANTE
AN ITALIAN MARBLE FIGURE OF A RECLINING BACCHANTE
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AN ITALIAN MARBLE FIGURE OF A RECLINING BACCHANTE
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Please note this lot will be moved to Christie’s F… 顯示更多
AN ITALIAN MARBLE FIGURE OF A RECLINING BACCHANTE

AFTER LUIGI BIENAIMÉ (1795-1878), LATE 19TH CENTURY

細節
AN ITALIAN MARBLE FIGURE OF A RECLINING BACCHANTE
AFTER LUIGI BIENAIMÉ (1795-1878), LATE 19TH CENTURY
apparently unsigned
33 in. (83.8 cm.) high, 62 in. (157.5 cm.) wide, 24 in. (61 cm.) deep
來源
Acquired from Seago, London, by Ann and Gordon Getty in 1996.
出版
COMPARATIVE LITERATURE
‌A. Raczynski, Histoire de l’art moderne en Allemagne, 1839, v. 2, pp. 605-6.
注意事項
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.

榮譽呈獻

Elizabeth Seigel
Elizabeth Seigel Vice President, Specialist, Head of Private and Iconic Collections

拍品專文

This large reclining nude is based upon the work of Luigi Bienaimé (d. 1878) who studied under Bertel Thorvaldsen (d. 1844) and subsequently became the director of his atelier. With a burgeoning career, Bienaimé traveled to St. Petersburg and received several commissions for the court and nobility before executing several commissions and copies of his own work throughout the continent. His conception of Reclining Bacchante came to fruition in 1838 and was then gifted to the Hermitage by 1859. Other versions by Bienaimé in the region found their way to national collections including the Latvian National Collection. Only one year after its completion for the Russian court, Raczynski notes in Histoire de l’art moderne en Allemagne that Bienaimé had further versions of his work in Holland, Belgium, England and Italy. In the late 19th and early 20th centuries, various prolific Roman and Florentine studios drew inspiration from the sensual, delicate, and effortless leisure of Bienaimé’s original. In a departure from more frequent representations of the wine-loving followers of Bacchus, this bacchante reclines gently, enjoying the pleasant and luxurious effects of the drink and her surroundings.

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