A JAPANESE EXPORT MOTHER-OF-PEARL-INLAID GILT AND RED LACQUER TABLETOP WITH NORTH EUROPEAN BASE
A JAPANESE EXPORT MOTHER-OF-PEARL-INLAID GILT AND RED LACQUER TABLETOP WITH NORTH EUROPEAN BASE
A JAPANESE EXPORT MOTHER-OF-PEARL-INLAID GILT AND RED LACQUER TABLETOP WITH NORTH EUROPEAN BASE
1 更多
A JAPANESE EXPORT MOTHER-OF-PEARL-INLAID GILT AND RED LACQUER TABLETOP WITH NORTH EUROPEAN BASE
4 更多
Please note this lot will be moved to Christie’s F… 顯示更多
A JAPANESE EXPORT MOTHER-OF-PEARL-INLAID GILT AND RED LACQUER TABLETOP WITH NORTH EUROPEAN BASE

MID-19TH CENTURY

細節
A JAPANESE EXPORT MOTHER-OF-PEARL-INLAID GILT AND RED LACQUER TABLETOP WITH NORTH EUROPEAN BASE
MID-19TH CENTURY
The top inlaid with mother-of-pearl cranes, pheasants and peacocks amongst flowering branches, the triangular base similarly decorated and carved with three crouching birds, with printed and inscribed Ann and Gordon Getty Collection inventory label
31 1/4 in. (79.5 cm.) high, 43 1/4 in. (110 cm.) diameter
來源
Acquired from Jonathan Harris, London, by Ann and Gordon Getty in 1991.
出版
O. Impey and C. Jörg, Japanese Export Lacquer 1580-1850, Amsterdam, 2005, p. 225, fig. 545
注意事項
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.
拍場告示
Please note additional literature for this lot:
O. Impey and C. Jörg, Japanese Export Lacquer 1580-1850, Amsterdam, 2005, p. 225, fig. 545

榮譽呈獻

Elizabeth Seigel
Elizabeth Seigel Vice President, Specialist, Head of Private and Iconic Collections

拍品專文

The style of colorful lacquer decoration inlaid with mother-of-pearl is called Nagasaki raden. The word raden is a Japanese term for the method of inlaying mother-of-pearl into lacquer or woodwork to create intricate and multi-dimensional decoration. This technique, learned from Chinese craftsmen in Nagasaki during the Tang Dynasty, was used primarily on Japanese export works.

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